Emily Wilson’s translation of Aphrodite’s affair & Hephaestus’s snare – The Odyssey, Book 4, lines 265-367:

‘The poet strummed and sang a charming song

about the love of fair-crowned Aphrodite

for Ares, who gave lavish gifts to herHephaestus catching Aphrodite and Ares in their affair; circo del herrero imagery for the poem

and shamed the bed of Lord Hephaestus, where

they secretly had sex. The Sun God saw them,

and told Hephaestus–bitter news for him.

He marched into his forge to get revenge,

and set the might anvil on its block,

and hammered chains so strong that they could never

be broken or undone. He was so angry

at Ares. When his trap was made, he went

inside the room of his beloved bed,

and twined the mass of cables all around

the bedposts, and then hung them from the ceiling,

like slender spiderwebs, so finely made

that nobody could see them, even gods:

the craftsmanship was so ingenious.

When he had set the trap across the bed,

he traveled to the cultured town of Lemnos,

which was his favorite place in all the world.

Ares the golden rider had kept watch.

He saw Hephaestus, famous wonder-worker,

leaving his house, and went inside himself;

he wanted to make love with Aphrodite.

She had returned from visiting her father,

the mighty son of Cronus; there she sat.

Then Ares took her hand and said to her,

 

“My darling, let us go to bed. Hephaestus

is out of town; he must have gone to Lemnos

to see the Sintians whose speech is strange.”

 

She was exited to lie down with him;

they went to bed together. But the chaisn

ingenious Hephaestus had created

wrapped tight around them, so they could not move

or get up. THen they knew that they were trapped.

The limping god drew near–before he reached

the land of Lemnos, he had turned back home.

Troubled at heart, he came towards his house.

Standing there in the doorway, he was seized

by savage rage. He gave a mighty shout,

calling to all the gods,

 

“O Father Zeus,

and all you blessed gods who live forever,

look! You may laugh, but it is hard to bear.

See how my Aphrodite, child of Zeus,

is disrespecting me for being lame.

She loves destructive Ares, who is strong

and handsome. I am weak. I blame my parents.

If only I had not been born! But come,

see where those two are sleeping in my bed,

as lovers. I am horrified to see it.

But I predict they will not want to lie

longer like that, however great their love.

Soon they will want to wake up, but my rap

and chains will hold them fast, until her father

pays back the price I gave him for his daughter.

Her eyes stare at me like a dog. She is

so beautiful, but lacking self-control.”

 

The gods assembled at his house: Poseidon,

Earth-Shaker, helpful Hermes, and Apollo.

The goddesses stayed home, from modesty.

The blessed gods who give good things were standing

inside the doorway, and they burst out laughing,

at what a clever trap Hephaestus set.

And as they looked, they said to one another,

“Crime does not pay! The slow can beat the quick,

as no Hephaestus, who is lame and slow,

has used his skill to catch the fastest sprinter

of all those on Olympus. Ares owes

the price for his adultery.” They gossiped.

 

Apollo, son of Zeus, then said to Hermes,

“Hermes my brother, would you like to sleep

with golden Aphrodite, in her bed,

even weighed down by might chains?”

 

And Hermes

the sharp-eyed messenger replied, “Ah, brother,

Apollo lord of archery: if only!

I would be bound three times as tight or more

and let you gods and all your wives look on,

if only I could sleep with Aphrodite.”

 

Then laughter rose among the deathless gods.

Only Poseidon did not laugh. He begged

and pleaded with Hephaestus to release

Ares. He told the wonder-working god,

 

“No let him go! I promise he will pay

the penalty in full among the gods,

just as you ask.”

 

The famous liming god

replied, “Poseidon, do not ask me this.

It is disgusting, bailing scoundrels out.

How could I bind you, while the gods look on,

if Ares should escape his bond and debts?”

 

Poseidon, Lord of Earthquakes, answered him,

“Hephaestus, if he tried to dodge this debt,

I promise I will pay.”

 

The limping god

said, “Then, in courtesy to you, I must

do as you ask.” So using all his strength,

Hephaestus loosed the chains. The pair of lovers

were free from their constraints, and both jumped up.

Ares went off to Thrace, while Aphrodite

smiled as she went to Cyprus, tot he island

of Paphos, where she had a fragrant altar

and sanctuary. The Graces washed her there,

and rubbed her with the magic oil that glows

upon immortals, and they dressed her up

in gorgeous clothes. She looked astonishing.’

Mercury is drawing on The Automation for his next painting. He loved our use of the word “mercurial” so many f*cking times.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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BookTuber Tuesday! Fifteen Dogs

Have a book vlog video you want us to check out? Submit a link below and it could make the CIRCO blog.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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#BLAThoughtOfTheDay: Only dipping your toe

blog1

Gabbler recently recommended Fifteen Dogs by André Alexis. I, however, have reservations about recommending the book (yes, I have read it too).

While the fable itself is fine, and the scenario is certainly interesting (Hermes and Apollo give human intelligence to fifteen dogs they find at a veterinary clinic for a bet to see whether or not even one of the dogs will die happy), the story ultimately has no impact on how we understand our own said “intelligence” or the human-animal relationship.

Dogs were chosen as the subject for the experiment, and, since so, a population from a more diverse pool should have been employed. I was disappointed that no dogs from a kill shelter were involved, no dogs from a dog fighting ring were involved, no dogs from the meat trade in, say, China were involved. The dog characters did not have diverse backgrounds. This was one way Apollo, Hermes, and Alexis himself avoided real dog-specific issues. None of the dogs really had to grapple with the genocide their own species faces every day at the hands of human intelligence.

Instead, the story focuses on the symbol of the collar and leash, dominance in a pack/household, the existential nature of dogs trying to be dogs yet suppress a human mind. This dance around the real plights a canine faces in our world ultimately made it a too-comfortable read, and, I think, kept the humans in the story (and the humans reading the story) from being confronted with the evils and sadness “human intelligence” is capable of.

But the bet itself was cool. Gods should gamble more often. Oh wait, that’s all they do.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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Gabbler Recommends: Fifteen Dogs by André Alexis

Fifteen DogsFifteen Dogs by André Alexis

My rating: 4 of 5 stars

A Gabbler Recommends.

View all my reviews

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.