‘Modern scholars have often noted that the figure of Daedalus might originally have been an earthbound human double of the inventor god Hephaestus. Indeed, the Athenians gave Daedalus a genealogy that made him a descendant of Hephaestus, who was revered alongside the goddess Athena in Athens. A district of Athens came to be named for Daedalus, populated by craftsmen who saw him as their patron and claimed to be his descendants. Socrates, whose father was a stonemason, twice refers to Daedalus as his ancestor.
…The ancient Greek comparison of automata to slaves remains a concept with a moral significance in modernity. In antiquity, Greek and Roman masters were held responsible for the behavior of their salves. Today, present philosophers of Artificial Intelligence and robotics ethics maintain that it is imperative that AI and robots be considered tools and property – essentially slaves – and that makers must be held responsible for their programming and behavior.
…Aristotle’s discussions allude to legendary animated statues like those associated with Daedalus, but it is also possible that Aristotle had in made real self-moving machines, “mechanical dolls of some kind” made my contemporary inventors… Notably, Aristotle remarks that “an artifact might imitate” a living thing and he defines an automaton as “a kind of puppet with the ability to move by itself.”
In the Politics, Aristotle clearly speaks of self-moving statues like those made by Hephaestus and Daedalus. In a complicated passage in On the Soul… Aristotle specifically mentions Daedalus’s self-moving sculptures.
According to a brief poem by Pindar (Olympian 7.5-54, written in 464 BC), a group of legendary animated statues with similarities to works by Daedalus were located in Rhodes. “All along the avenues,” wrote Pindar, stood works of exalted art so gloriously crafted that they seem to “breathe and move.” An ancient scholiast’s commentary on the poem calls the statues “moving things with a soul or life spark.” IN this case, the maker was not said to have been Daedalus or Hephaestus, but the Telchines, blacksmith wizards of magical metallurgical lore, fabled to be the original inhabitants of Crete or Rhodes. The Telchines carried out activities similar to those of Hephaestus, but on a smaller scale, forging weapons and baubles for the gods. The powers of the statues of Rhodes recalled the bronze guardians defending harbors and borders, the function of the mythic Talos of Crete and the historical Colossus of Rhodes…’ –Adrienne Mayor, “Daedalus and the Living Statues” from Gods and Robots.