“Ross Gay: In Praise of (Foot- End- Etc.) Notes”

To my delight I found that McKittrick’s book is thoroughly footnoted, not only in a standard bibliographical way, though some of that, but in a digressive, contrapuntal, sub-argumentative way. By which I mean, quick glance here, it appears as though some of these footnotes are miniature essays, essayettes, which I’m sure complicate, deepen, twist up, who knows, the text. Occasionally these footnotes are a whole page or more. It might be the poet in me, by which I mean the writer obsessed with form in me, who is so interested in and enamored of the oddball overlong footnote, the footnote that calls into question the very idea of the ancillary, just as Jenny Boully’s book The Body, made entirely of footnotes, does. I’m pretty sure the first time I realized I loved footnotes was Junot Dìaz’s book The Brief Wondrous Life of Oscar Wao, where the author pokes his head through the curtains of the novel to give crucial lessons on the history of the Dominican Republic, etc. I was finishing a PhD, which some people call a PhDuh, and was relieved—thrilled really—to see someone making playful use of what is usually a toneless, utilitarian, citational requirement of the form (bad writing). I have lately been writing long footnotes myself—way too long, believe me—in an effort, I realized as they were accruing, to do that thing we do in conversation, which is interrupt ourselves, or interject—oh yeah hold up you need to know this, too—such that, in the best conversations, the ones I love, visiting is the word, you sometimes go as deep as you do far. Another poetic preoccupation, perhaps. Another definition of the lyric, perhaps. That’s my two cents anyway.[1]

[Via]

GABBLER RECOMMENDS: “Chuck Palahniuk Is Not Who You Think He Is”

“And then I age into this culture,” he continues, “where if you aren’t completely out in every aspect of your public life and personal life, then you’re somehow damaged and shameful and raw. So within my lifetime I’m supposed to transition from being a person that has really created this whole guardedness not just for my own protection, but for the protection of the people I love and for my family who are still in that small town. Then I’m expected to automatically step out of that into a kind of joyous, flag-waving outness that is completely at odds with the entire way I’ve been raised, where that was my shell and my armor. You don’t just give that up. You don’t give that up overnight. And people say if you don’t give that up overnight, then you’re self-hating, all these wrong things. So I’m fucked either way. I’m just trying to be one person and live a life. And I’m sorry: I’m just not ready to be completely out and just put it all out there.”

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GABBLER RECOMMENDS: Automata: The Extraordinary “Robots” Designed Hundreds Of Years Ago | Mechanical Marvels | Timeline

Clickbait: Terry Gross made fun of someone who cannot hear

In response to: Flawed chatbot or threat to society? Both? We explore the risks and benefits of AI

Theistic conceptions of artificial intelligence

 

Other scholars recognise elements of theism in the discourse around AI and its potential impact on our future. Robert Geraci suggests in his 2010 book, Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality, that AI can fulfil the same role in apocalyptic imaginings as a singular theistic god. Bearing in mind that the biblical apocalypse is an optimistic cosmic transformation, he also draws out parallels with the aims of AI, which often describe hopeful aspirations for a world-yet-to-come, an AI eschatology. In an early part of this particular work, Geraci draws on Rudolph Otto’s 1917 description of god as mysterium tremendum et fascinans (Otto 1917), using it to identify a type of awe-inspiring and fearsome being that at different times in our history can be a god, or in our contemporary modern world, AI. Elsewhere, Geraci’s work has engaged with virtual worlds, drawing attention to the role of transhumanists, including Giulio Prisco, discussed below, in claiming new potential spaces to practice and evolve religion towards transhumanist ends. In such spaces, including Second Life and the World of Warcraft (the MMORPG-a massively multiplayer online role-playing game), Geraci argues a step closer to the fulfilment of transhumanist salvation is being made- “a heavenly realm to inhabit” (Geraci 2014 177). Twitter is another virtual space, but one dominated by discourse rather than aesthetics and virtual embodiment like Second Life and World of Warcraft. However, this article proposes that the expressions of religious metaphor, parody, and tropes on Twitter as in the BBtA tweets represent continuities of theism, continuities enabled by new technological spaces as well as uncertainties about the nature and the volition of ‘the algorithm’.

However, the ‘AI fits into the god-space’ argument can be in danger of supporting a rather strict version of the Secularisation Thesis, and this idea’s historical veracity has been debated by anthropologists and sociologists of religion (see Ward and Hoelzl 2008). This article, and connected research, seeks to add to this debate in by drawing attention to continuities of religiosity and enchantment in super-agential concepts of AI and AI NRMs. Second, this god-space argument can suggest that religion is spurred on by ‘need’ only, a pathology interpretation of religion that ignores other elements of religious inspiration and innovation such as desire, culture, aesthetics, and, often in the online environment, affective virality.

Theistic interpretations of AI do undeniably owe a lot to older cultural conceptions of a singular god. Randall Reed pares this kind of god down to three theological characteristics (with long historical and philosophical roots) that often map easily onto our conceptions of AI superintelligences. These are omnipotence, omniscience, and omnipresence (Reed 2018, 7). Reed also raises the question of omnibenevolence. He notes that AI philosophers such as Nick Bostrom of the Future of Humanity Institute have focussed on the issues of malevolence through “perverse instantiation”, a failure of value alignment leading to unforeseen damage from a superintelligent AI, such as in Bostrom’s famous Paperclip Maximiser thought experiment (Bostrom 2003). Bostrom’s Orthogonality Thesis from his 2012 paper ‘Superintelligent Will’ is also relevant; the argument that intelligence is not intrinsically linked to ‘goodness’, and that an AI could have any number of combination of degrees of both characteristics (Bostrom 2012).

– “Blessed by the algorithm”: Theistic conceptions of artificial intelligence in online discourse by Beth Singler