The synopsis for our third mythpunk novel THE LATHING:

The Lathing (Vol. 3 of the Circo del Herrero Series) Synopsis:

[Smack dab in the Bible Belt’s buckle, Vulcan arranges His pagan pieces. The tribal casinos are nothing but referential backdrop for His latest hustle. The gods have all paid to play. They’ve offered up parts of themselves to help make “The Game”—some more than others—but their chimeric incarnations are not where they place their bets. It is the human players they gamble on. The gods know the game is rigged but that’s half the fun, figuring out just what Vulcan has pre-programmed— how it works—how they, too, might cheat.

And like the gods, some Automata think they’ve found the secret mechanism that makes it all tick. Other Automata, however, are not so sure. They choose opposing humans—humans with flaws and sins so much like their own. Those they pick show less about the beings they’ve become than the ghosts that still haunt and possess them…

THE LATHING is the final attestation of the Narrator and the Editor—the final volume in the CIRCO DEL HERRERO series. In it, once-gods may find forgiveness and be made whole again if they pick the winning team. Automata may find a self that is worth knowing and saving. But the humans, well, they were just lucky the game found them before Death did. They’ll live just a little while longer before finding something truly worth dying for. At the end of it all is glory and godhood and possibly a cat.]

GABBLER RECOMMENDS: “My Roomba Has Achieved Enlightenment”

Robots are typically seen as having no consciousness. But potentially they have the highest kind: equanimity. This is the emotion Buddhism counts as among the most sublime. The Buddha evidently described the equanimous mind as “abundant, exalted, immeasurable, without hostility, and without ill will.” My Roomba is certainly without hostility and ill will. Going about her daily rounds, she’s something like blithe—both self-contained and indifferent to human value systems. As for abundant, exalted, and immeasurable, I can’t be sure. How to measure these things, or is that what “immeasurable” means?

[Via]

Ursula K. Le Guin on God:

“Fantasists are childish, childlike. They play games. They dance on the burning-ground. Neither arrogance nor modesty is a very useful term, in this context. Even when they are making entire universes, they are only playing. But they are not playing God. It looks as if they were, to the rational mind; but the rational mind notoriously cannot see what’s happening in fantasy, or why it happens. How can you play God, after all, when you have understood what the intellect cannot understand — that God is only playing God?”

 

William Blake, The Artist

‘The process of creation followed by production was very important to Blake, bearing in mind that he created a concept, for which there had to be a balance between writing and illustrations. The entire work had to be his, as he envisioned a concept and not a mere book. His name on the frontispiece functioned as a signature, similar to a painter signing his work. He was printer and author, thus explicitly stating he was sole creator of this work. William Blake produced his books as a form of art, very luxurious pieces, they were not intended for the book market.’

Eighteenth-Century Media

As a nine year old, William Blake claimed he saw a “tree filled with angels”, moreover, he never outgrew or denounced these visions. His favourite artists were those unappreciated in their time, such as Michelangelo. So it is rather obvious that William Blake was not one likely to conform to the norm. William Blake was a true artistic rebel, commenting on contemporary society and placing himself deliberately outside of the literary scene. In the eighteenth century, most authors had very little control of their works as they were printed and sold. William Blake, however, decided to create his own illustrations and print his own works, as a result he kept full control.

BlakeGoed

The process of creation followed by production was very important to Blake, bearing in mind that he created a concept, for which there had to be a balance between writing and illustrations. The entire work had to be…

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Congratz, Pope: Human of the year

Congratz, Pope: Human of the year

We would like to dedicate this song to you: Wishing well to all us sinners.