Quotes from Shades of Sheol

“Good literature is often evocative, using imagery and metaphor to stimulate the imagination rather than prosaic description to satisfy the intellect. This has the great advantage of enabling the reader to enter creatively into the experience of the author, and more than outweighs the resultant imprecision and possible misunderstanding. But of course imagery by its very nature cannot be pressed too far. Old Testament descriptions of death are often imaginative and evocative rather than prosaic and specific. This allows us to understand the ancient Israelites’ attitudes to death more than their beliefs about it. Nevertheless, the imagery and metaphor used inevitably reflect certain beliefs, and it is useful to attempt to trace these.

Further, in all human life, concepts from the cultural background may be taken up and used without acceptance of their underlying ideology. Today people from all walks of life talk of an Achilles’ heel, Cupid’s arrows, or the fates, or use adjectives like ‘titanic’ and ‘promethean,’ without believing the Greek mythology which underlies these terms. Christians have often celebrated Halloween as a harmless folk festival, without worrying about its roots. Thus Israel’s use of certain terms need not imply acceptance of the mythology associated with [it] by other peoples. Neighbouring cultures used terms like death, pestilence and plagues to represent deities, but the Hebrew usage does not necessarily echo this.” – pg 25

“The most important Hebrew term for the underworld is clearly…‘Sheol’… for several reasons: (a) It is the most frequent, occurring sixty-six times. (b) It always occurs without the definite article (‘the’), which implies that it is a proper name. (c) It always means the realm of the dead located deep in the earth, unlike other terms which can mean both ‘pit’ and ‘underworld.’” -pg 70

Shades of Sheol: Death and Afterlife in the Old Testament by Philip S. Johnston

You’re going to want to listen to Lore OlymPOD episode 99

And all of them really.

Here’s 99 specifically. 

Quotes from Wild Souls: Freedom and Flourishing by Emma Marris

In Norse mythology, there is a story of a supernatural wolf called Fenrir. He is the god Loki’s son and, at first, he lives with the gods. But he becomes worryingly large and powerful and they decide to bind him. After he breaks free from a series of increasingly robust physical chains, the gods control him by binding him with Gleipnir, a magic fetter of paradoxes: the breath of a fish, the beard of a woman, the sound of a cat walking. These dreamlike, impossible ideas seem analogous to me to the intangible laws, rules, and political boundaries that determine where wolves exist today. I’ve always wondered why the gods didn’t just kill the threatening Fenrir, why they preferred a bound wolf to a dead wolf. Today, using GPS collars and tranquilizer darts and ‘wolf plans’ as our fetter, we seem to have made the same choice.

I wanted to learn more about the snake and, in particular, about its relationship with humans. I found a paper by two Dutch scholars, Rob Lenders and Ingo Janssen, which argued that the reason Natrix natrix is so common in Europe is that snakes of this species like to lay their eggs in warm cow pies and other livestock manure. They thus followed Neolithic humans and their domesticated animals up the continent, into colder climes than any other egg-laying snake, and became culturally associated with livestock, even thought of as their protectors. They were ‘considered to be chthonic deities’ – gods of the underworld ‘not to be harmed,’ the researchers wrote. Every spring, they emerged from their underground hibernacula before the snow had melted and were thus seen as ‘heralds of spring.’ Their unblinking eyes, the researchers wrote, ‘made them to our forebears all-seeing creatures and therefore very wise.’ The snakes also symbolized death and, as they shed their skins, rebirth. In the Baltic countries, grass snakes were sometimes considered to be the spirits of dead ancestors, ‘taking care of their descendants by protecting valuable cattle and by stimulating fertility.’ And Lithuanians and Latvians did indeed let grass snakes live in their houses, near the hearth, to keep warm, and sometimes fed them. Their worship goes back to Indo-European times.

The researchers speculate that the ring around the neck of the grass snake, which goes almost, but not quite, all the way around, may have inspired the common European Iron Age accessory known as the torc (or torque), a metal neck ring with a gap in the front. They point to the fact that many torcs were decorated with snake motifs, and they mention the Gundestrup cauldron – a huge silver bowl from sometimes between 150-1 BCE found in a Danish peat bog. It is covered with figures and scenes wrought in silver, including the antlered god Cernunnos. He wears a torc and holds another in his right hand. In his left, he holds a grass snake. Around him are animals: deer, something canine, something feline, and a small person riding on the back of a dolphin.

I gazed at pictures of the cauldron, feeling like I was looking at scenes from a European dreamtime, when animal people and human people spoke to one another, when animal gods and animals themselves were worshiped, when humans knew themselves to be simply one kind of animal among many. A pre-Christian world before the human/nature duality.

Christianization more or less disrupted the worship of grass snakes, and they became despised – like all snakes – as symbols of the evil serpent that tempted Eve in the Garden of Eden. But in some corners of Europe, respect for this species persists. A Romanian naturalists writes that in Eastern Romania, ‘No one kills this snake because it is considered as a protector of the house, a help against mice and insects.’ In the Netherlands, volunteers now construct ‘broeihopen’ for their local Natrix species to nest in: piles of loose compost that hold the heat to keep the eggs warm. We did not tame these animals and we do not routinely keep them captive, and yet our lives have been entangled with theirs for thousands of years.

 

GABBLER RECOMMENDS: Why We Keep Retelling Persephone’s Story

Quotes from ‘Magic in the Ancient Greek World’

Magic in the ancient greek worldLévy-Bruhl helps us to understand why statues and figurines were treated in this way, without resorting to a notion of irrationality defined (in our Western manner) by a failure to draw the proper dividing line between animate and inanimate objects. In Greece in particular, matter itself could have an ambiguous status. To give a specific example, or some highly educated thinkers such as the late seventh/early sixth-century BCE philosopher Thales of Miletus, stones that had magnetic properties were thought to contain souls…It is not hard to see how magnetic stones that attracted to iron fillings, in the absence of an available electromagnetic theory, could be thought to be animate – in other words to contain a soul. Reality as we know it in the mechanical, casual Western view, with its sharp dividing line between organic and inorganic matter, is collapsed in Thales’ view of the magnet…”

 

“Greeks harbored many different beliefs about dead souls, and scaled them in different ways, from heroes who rested at their leisure in the Elysium fields and the Isles of the Blessed, to an altogether different sort of underworld community whose anger was beyond human appeasement.”

 

“The shocking and bizarre nature of an epileptic seizure, as every Greek who knew Herakles’ own sufferings could attest, was so extraordinary that it almost begged for divine explanation. But to the Greeks, the fact that a divinity could invade a human body was a familiar experience, most famously illustrated in the case of the Pythia at Delphi being invaded by Apollo who thereby provided her with an oracular voice. In this case Apollo’s divine visitation was invited and controlled and unlike a sudden epileptic seizure, where it was not even clear which divinity might in fact be present…. The Greeks construed an epileptic seizure in terms of divine invasion, and in anthropological terms this kind of cultural phenomenon is called possession. The issue now for the patient, however, according to the author of On the Sacred Disease, was to determine which divinity was responsible for the possession.”

From, Magic in the Ancient Greek World by Derek Collins