
Get a manuscript here.
[a website for the Editor and Narrator of the Circo del Herrero series]

Get a manuscript here.

Hi. BLA here. Coming to remind you of what Neil Gaiman said back in 2010 about not setting one of his books in “America”:
“The great thing about having an English cemetery is I could go back a very, very, very long way. And in America, you go back 250 years (in a cemetery), and then suddenly you’ve got a few dead Indians, and then you don’t have anybody at all, unless you decide to set it up in Maine or somewhere and sneak in some Vikings.” [Via]
A “few dead Indians” is what you’re supposed to pay attention to here. Now, surpassing debates on what he meant or didn’t intend to do in that interview, we can look at his colonial mentality in his work itself. Take this statement about American Gods:
And perhaps most offensive, we’ll get the book’s Big Statement About America, which is bizarrely insulting to Native Americans. Near the end of the novel, a Native American with magical powers named Whiskey Jack tells Shadow he’s not a god, but rather a “culture hero,” because the land we call America “is not a good country for gods.” [Via]
Neil Gaiman consistently glazes over Native Americans/Indigenous peoples and their cultures. Something I’m sure he has learned to correct by this point, but it was something I had hoped the creators of the new TV show adaptation would rethink in the story. However, it doesn’t seem likely. Sure, sure, they can update Technology Boy to not be so technologically illiterate, but this recent EW article doesn’t give me hope for the story’s cultural literacy:
“Neil created this wonderfully stuffed toy box filled with all sorts of cultural points of view on how American operates as a system, and that was so fascinating and mythological in and of itself,” says Fuller. “It’s really much more of an immigration story than it is a god story.” Green adds, “One of the biggest challenges was stripping the idea of gods as X-Men or giant empowered creatures who stomp on cities and throw the oceans. We wanted them to be people with problems. It’s not about lightning bolts – it’s about the question of day-to-day survival.”
So, we’re still talking about immigrants? Colonizer problems? Nothing has changed. Dear Hollywood and Neil Gaiman, just because your story doesn’t whitewash doesn’t mean it’s not racist.
See also, The Gods Don’t Need Your Worship.
[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

Have we really not rounded up our monthly posts for three months? Oh my. Let’s head ’em up, move ’em out.
We changed our Tweets of the Week to be more other social-network friendly. It’s now going to be officially called Social Medea. Pun intended.
We posted a video on The World’s Greatest Internet Troll.
[The Author added commentary on Victoria E. Schwab’s statement on writing/creativity in the current publishing industry]
As always, Gabbler had things to recommend–like The Unbreakable Kimmy Schmidt season 2 and the children’s book I Am Pan!
Our Throwback Thursday posts included a progression of Beardless Hipster Songs that we thought was funny.
Ursula K. Le Guin needs to get with the times.
BLA took back what s/he said about The Jungle Book 2016 movie.
BLA went on a rant about the representation of gods in our stories.
J.K. Rowling wrote about Native American Wizards and shit hit the fan.
Gabbler had some thoughts on Daredevil season 2.
Our GIF of the Month from our GIF of the day is:
There is something even more narcissistic than post-apocalyptic literature. It’s modern takes on mythology.
In Neil Gaiman’s American Gods, the gods need more believers. They are shadows of their once-selves. And new gods are forming—gods of the Media and the Internet—simply because humans pay more attention to them. This puts a lot of power in the unknowing hands (or heads) of mortal humans.
This plot point is what’s called “The gods need prayer badly” and it occurs so often in mythology stories that it’s become a trope on TVtropes.
In the 2010 reboot of Clash of the Titans, humans need to be reminded of “the order of things” because the gods can “feel their power draining”—as if their existence depends on humans in the first place (never mind that the gods created THEM). See deleted scene:
TVtropes even comments on the sequel:
“In the sequel Wrath of the Titans, prayers have dwindled so much that the gods have all lost their immortality and many have died before the movie even started. They still have most of their powers, but they are fading. Thus, the Titans are breaking free. On a Fridge Logic note, why are the Titans still around? The gods fuel their immortality with worship, what do the Titans use? And before there were humans to empower them, the gods took down the Titans, didn’t they?”
I could continue to list where else this lazy trope shows up, but I think you get the point. It simply doesn’t make sense and it cheats the audience out of an honest look at why myths exist. I’ll explore the following reasons:
“Gods need prayer badly” is wearing thin—to the point of ignoring entire historical cultures and tradition. Not only is it a lazy excuse for why the gods don’t get involved in our affairs anymore (i.e. because they’re dead or weak), but it assumes that these “old gods” have lost their inspirational powers. Which isn’t so. Otherwise, we’d stop talking about them in our stories so much.
[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]
Post updated on 4/30/17