“But the truer intent of Fantastic Beasts reveals itself as veteran Harry Potter director David Yates continues to swoop the camera like he’s mapping out a blueprint for Universal’s inevitable Fantastic Beasts roller coaster. Once I accepted that I wasn’t watching a movie so much as a marketing opportunity, I could focus my attention on the rest of what Fantastic Beasts had to offer.
And even though those days are largely behind me, I still thought the prospect of having a new Harry Potter canon in my life might spark something like excitement. Surely seeing a full-blown adaptation of Rowling’s slim book of the same name could be interesting, especially when interwoven with the rise of Gellert Grindelwald, the dark wizard who was Voldemort before Voldemort was Voldemort. And if nothing else, surely the adventures of a magical-creature enthusiast careening around 1920s New York City would be exciting.
As it turns out, not so much.
See, Fantastic Beasts isn’t just a whimsical tale of Newt chasing mischievous Nifflers and gelatinous rhinos around the city. It’s not even about the rise of Grindelwald. It’s about setting the stage for four(!) more movies. Almost all of these dozen or so plots end with, “To be continued.”
The result is that none of Fantastic Beasts’ stories truly get a chance to breathe beyond their cursory consideration. Given the fact that the movie’s narratives are so thin they’re practically translucent, it’s a good thing Yates and the Fantastic Beasts CGI team do their damnedest to give us something pretty to look at.”
“This movement to separate fantasy and reality, but also realism and fairy tale, continued into the nineteenth century, and by the end of the century it was very clear that there were the respectable novel and short story, and the considerably less respectable forms of fairy tale, myth, romance (in the old sense of an adventure story), ghost story, etc. By the twentieth century, they occupied different publishing niches, different shelves in the bookstore. As they still do….
Here’s the thing: talking about conservation will not save the badgers of England. If anything will save them, it will be the way people feel about Mr. Badger. We are human beings, and we make decisions based not on logic or rationality, however much we may think we do (deluded as we are about ourselves), but on emotion. And what creates emotion? Story.”
‘To tell the truth I’ve been pretty angry with God since Mor died: He doesn’t seem to do anything, or to help at all. But I suppose it’s all like magic, you can’t tell if it does anything, or why, not to mention mysterious ways. If I were omnipotent and omnibenevolent I wouldn’t be so damn ineffable. Gramma used to say that you couldn’t tell how things would work out for the best. I used to believe that when she was alive, but then after she died, and Mor died, I don’t know. It’s not that I don’t believe in God, it’s just that I haven’t felt very inclined to get down and worship someone who wants me think “no dbout the universe is unfolding as it should.” Because I don’t. I think I ought to do something about the way the universe is unfolding, because there are things that need obvious and immediate attention…’ –Jo Walton, Among Others.
[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]
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