“But the truer intent of Fantastic Beasts reveals itself as veteran Harry Potter director David Yates continues to swoop the camera like he’s mapping out a blueprint for Universal’s inevitable Fantastic Beasts roller coaster. Once I accepted that I wasn’t watching a movie so much as a marketing opportunity, I could focus my attention on the rest of what Fantastic Beasts had to offer.
And even though those days are largely behind me, I still thought the prospect of having a new Harry Potter canon in my life might spark something like excitement. Surely seeing a full-blown adaptation of Rowling’s slim book of the same name could be interesting, especially when interwoven with the rise of Gellert Grindelwald, the dark wizard who was Voldemort before Voldemort was Voldemort. And if nothing else, surely the adventures of a magical-creature enthusiast careening around 1920s New York City would be exciting.
As it turns out, not so much.
See, Fantastic Beasts isn’t just a whimsical tale of Newt chasing mischievous Nifflers and gelatinous rhinos around the city. It’s not even about the rise of Grindelwald. It’s about setting the stage for four(!) more movies. Almost all of these dozen or so plots end with, “To be continued.”
The result is that none of Fantastic Beasts’ stories truly get a chance to breathe beyond their cursory consideration. Given the fact that the movie’s narratives are so thin they’re practically translucent, it’s a good thing Yates and the Fantastic Beasts CGI team do their damnedest to give us something pretty to look at.”