BookTuber Tuesday – Jenna Marbles is producing a web series of “James Patterson’s” Maximum Ride

For someone who doesn’t want to be controlled by the corporate world and protect her freedom, she’s participating in corporate publishing and stifling honest writers — promoting a book that James Patterson didn’t even write.  We feel like she can do better.

For more of our opinion on this, see this essay. 

June, July, August, September Roundup: Dear Hades, keep your wife.

So, the monthly roundup isn’t so monthly anymore…

In June, we posted about how authors shouldn’t guilt trip readers and about Theodora Goss on why she writes.  One of June’s BookTuber Tuesday posts covered an interesting discussion on Book Packagers, and a GABBLER RECOMMENDS included Maria Bamford’s Lady Dynamite. 

In July, we started the EPIC CATALOG category on the blog. Check out all the lists we have categorized so far. That month, we posted about a film written by AI and what not to do with a nom de plume.  Also, why we need to consider how ghostwriting/ghostwriters harm our culture.

August led to BLA’s rants on The Cursed Child and this post about how multiple versions of a book might sway opinion of it. Gabbler RECOMMENDED this RadioLab podcast about why Homer never mentions the color blue (not just because he’s never sad; seriously, listen to it!).

In September we celebrated the anniversary of THE AUTOMATION by hosting a giveaway. If you didn’t win, that’s OK, you can read it for free or download it as an ebook on Goodreads.  A #BLAThoughtOfTheDay included this post on why we need to talk about Lionel Shriver. And, to end with, we really recommend reading this opinion piece by Amy Hungerford on why you might not want to read ALL THE BOOKS.

Here’s to the next season when we’ll eventually get to our monthly roundup!

Ghostwriter for “Art of the Deal” on Why Donald Trump should not be president:

‘”One of the chief things I’m concerned about is the limits of his attention span, which are as severe as any person I think I’ve ever met,” Schwartz says. “No matter what question I asked, he would become impatient with it pretty quickly, and literally, from the very first time I sat down to start interviewing him, after about 10 or 15 minutes, he said, ‘You know, I don’t really wanna talk about this stuff, I’m not interested in it, I mean it’s over, it’s the past, I’m done with it, what else have you got?’ ”

The idea of a president in an “incredibly complex and threatening world who can’t pay attention is itself frightening,” Schwartz says.

Add to that the fact that Trump is so easily provoked, that what Schwartz calls Trump’s insecurity “makes him incredibly reactive whenever he feels threatened, which is very, very often.”

As an example, Schwartz says, his interview in The New Yorker came out on Monday. On Tuesday, he received “a long and threatening letter from his lawyer designed, I think, to muzzle me.”

“For 25 years, I think Trump has done a very, very effective job of muzzling anyone who has worked for him or with him by signing very, very strict nondisclosure agreements before they start working with him,” Schwartz says. “It just turns out that I started with him so early that he hadn’t thought of it yet.”

“The reason I’m stepping up is because no one else seems to be free or willing to do so,” Schwartz says. “Believe me, it is not fun.”‘

[Via]

See also: Why Literature Is No Longer Art.

James Patterson will take your $90 to teach you how to write — er, I mean find a ghostwriter.

Someone needs to tell James Patterson to give up the ghost. Ghostwriters, that is.

Original image from: http://bibliodaze.com/wp-content/uploads/2014/02/jamespatterson.jpg
Original image from: http://bibliodaze.com/wp-content/uploads/2014/02/jamespatterson.jpg

“Actually, there may be a trades descriptions issue there – though likely for Masterclass.com rather than Patterson himself. As any fule kno, Patterson co-writes most of his bestsellers with a slew of credited co-writers, so in fact, he’s co-author of most or all of those 19 consecutive No. 1 New York Times Best Sellers. And I’m not clear on whether the class includes advice on how to engage your own co-author and get them to take second billing, but obviously that’s one of his tricks of the trade …” Read the rest at TeleRead.

See also: Why Literature is No Longer Art. 

[BLA and GB Gabbler (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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