GABBLER RECOMMENDS: The Revival of Stoicism by Shayla Love

Ada Palmer, an historian at the University of Chicago, argues that Stoicism is popular in places like Silicon Valley particularly because it doesn’t require a person not to be a CEO of a successful company to be a Stoic. “The Romans loved Stoicism because it was a philosophy that was compatible with political life,” Palmer said.

It’s perhaps unsurprising then that billionaires love a philosophy that doesn’t require them to give up on their wealth, but accept their role in the world, and counsels the less fortunate to not worry so much about their circumstances and accept their lot—as Zeno did when he lost all of his possessions.

“There is a risk that the mega-rich will seek philosophies that basically validate themselves and their lifestyles rather than awakening them to their blind spots, their obligations to their fellow beings,” Evans said.

The metaphysical side of ancient Stoicism contains an explanation as to why we shouldn’t worry about external events but simply our reactions to them—but it raises more potential problems.

The Stoics were monists, and thought that the universe was all connected, made of a divine rational substance called logos. The universe, they believed, was rational because it was organized by logos: Whatever happens is what’s meant to happen. Even things that seem bad to you have been ordained by the divine spark of logic, and so what’s actually bad is your response, which you can change and have control over.

“Stoicism is thus from the outset a deterministic system that appears to leave no room for human free will and more responsibility,” wrote Gregory Hays, associate professor of classics at the University of Virginia, in the introduction to his translation of Meditations. “In reality the Stoics were reluctant to accept such an arrangement, and attempted to get around the difficulty by defining free will as a voluntary accommodation to what is in any case inevitable.” Hays described it like this: Imagine that we are like a dog tied to a moving wagon. “If the dog refuses to run along with the wagon he will be dragged by it, yet the choice remains his: to run or be dragged.”

Zuckerberg agreed that in the community that takes Stoicism seriously, the people she’s writing about are in short supply. But in the types of online meeting grounds she explored in her book, she said, “the use of Stoicism is much more superficial yet also more disturbing.” She maintains that it’s the “unfortunate responsibility of people who take Stoicism seriously to insist that out-of-context quotations from Marcus Aurelius aren’t the full picture when it comes to Stoicism, and the reality is a lot more nuanced and less individualistic.”

Whiting felt that Zuckerberg’s warnings in her book went unheeded, and that people dismissed her. “I thought that we did not respond as a Stoic community with kindness to Donna,” Whiting said. “I don’t think we did enough to thank her for the stance that she took and the effort that she made. People say, ‘Oh, you know, she made us look bad.’ She made us look in the mirror.”

Stoicism is a wonderful philosophy, but there are some elements missing, if it’s taken on too unilaterally. Evans found that focus on the rational can omit ecstatic, non-rational approaches to healing and meaning. Incidentally, this can be the case with CBT as well, which is not for everyone, or for every problem. “Some people find the idea of trying to rationalize away your negative beliefs doesn’t work, which is why some people prefer Acceptance and Commitment Therapy,” Evans said. “I have a friend with OCD, and he can’t Socratically dispute his intrusive beliefs. That just makes it worse.”

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GABBLER RECOMMENDS: Westworld’s Female Hosts Signal a Shift In Our Fear of Robots by Becky Ferreira

“If we look at the early stories around creating artificial women, like Pandora, who was an artificial creation by the gods, of course she unleashed all the terror in the world,” Devlin, whose forthcoming book Turned On examines human-robot sexual interactions, told me over Skype.

“She did the wrong thing and messed up,” she said. “It’s the whole Christian Eve [narrative] as well. You’ve got this really long-standing trope about women—don’t let them do anything, they’ll get it wrong, they’ll do it bad.”

Empowering women with knowledge is hardwired into Western storytelling as a recipe for disaster, regardless of whether those women are human or robotic. This is the central dynamic in that opening scene between Bernard and Dolores. Bernard is not physically intimidated by Dolores; he specifies that it’s her mind and its evolution that frightens him. What will be the outcome of all her ruminations?

Bernard suspects, and the show confirms, that it will be bloody and chaotic, just like so many past stories in which women get wise and wreak havoc. Ex Machina toys with a similar undercurrent in which a female robot (Alicia Vikander) learns enough about the men keeping her captive to exploit their weaknesses.

That connection between female intellectual maturation and extremely watchable catastrophe is further reflected in Westworld’s choice to make female hosts, particularly Dolores and Maeve (Thandie Newton), much more active agents of rebellion than their male companions Teddy (James Marsden) and Hector (Rodrigo Santoro).

These artificial men are also repeatedly victimized in the show—we see implied sexual violence against them by the staff and they are treated as target practice for the guests. But Teddy follows Dolores somewhat questioningly, and Hector follows Maeve totally unquestioningly, and both seem to experience their newfound independence vicariously through the women.

What makes these unthinking male warrior robots so scary is that they don’t generally buck their directives. Even in cases where male robots are able to supercede their programming, like Sonny in the 2004 film I, Robot or HAL-9000 in 2001: A Space Odyssey, they do so in dedication to a larger mission goal rather than for their own independence.

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With this response, she further undermines Lee’s dignity, while simultaneously demonstrating that she can be self-aware about her own coding.

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GABBLER RECOMMENDS: We’re All the Horsemen of the Apocalypse in New Doomsday Movies

Interestingly, despite our ever present doomsday fictions, the nature of the way we’ve portrayed the innumerable horsemen of the apocalypse has changed. In the past, the apocalypse was a single, cataclysmic event that could be stopped. From the machine armies of Terminator to the nuclear fallout in On the Beach, the apocalypse was always the result of a choice . But now, our end of the world stories tackle issues that are “broader and more diffuse,” which makes us “afraid but less able to point to a source of our fear,” Bures wrote.

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See also: What we talk about when we talk about post-apocalyptic stories.

On Narcissism:

‘Ultimately, she’s not so much scrutinizing each type of narcissist as she is analyzing the supposedly non-narcissistic person’s interest in them. At the center of this essay is Dombek’s exploration of the “healthy” person’s relationship with the narcissist: our fear of him and our belief that our moment may be particularly marked by narcissism. The driving force of The Selfishness of Othersis the way in which Dombek carefully dissects the anatomy of this particular moral panic. Fear, after all, is necessarily just as much about the terrified as the terrorizing. In her gorgeous, sinuous writing, where each sentence complicates itself, sometimes suggesting its own antithesis, she questions the notion that the fear of the pathological narcissist and narcissism itself are so different at all. We “live in a time so rampant with narcissisms,” she writes, “so flush with false selves masquerading as real selves… a time so full of contagious emptiness, that ours is a moment in history that is, more than any other, absolutely exceptional.” The joke is simple, and characteristic of the mordant irony laced throughout the book: To say that we live in a uniquely narcissistic time is itself an act of narcissism.’

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[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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