GABBLER RECOMMENDS: The Revival of Stoicism by Shayla Love

Ada Palmer, an historian at the University of Chicago, argues that Stoicism is popular in places like Silicon Valley particularly because it doesn’t require a person not to be a CEO of a successful company to be a Stoic. “The Romans loved Stoicism because it was a philosophy that was compatible with political life,” Palmer said.

It’s perhaps unsurprising then that billionaires love a philosophy that doesn’t require them to give up on their wealth, but accept their role in the world, and counsels the less fortunate to not worry so much about their circumstances and accept their lot—as Zeno did when he lost all of his possessions.

“There is a risk that the mega-rich will seek philosophies that basically validate themselves and their lifestyles rather than awakening them to their blind spots, their obligations to their fellow beings,” Evans said.

The metaphysical side of ancient Stoicism contains an explanation as to why we shouldn’t worry about external events but simply our reactions to them—but it raises more potential problems.

The Stoics were monists, and thought that the universe was all connected, made of a divine rational substance called logos. The universe, they believed, was rational because it was organized by logos: Whatever happens is what’s meant to happen. Even things that seem bad to you have been ordained by the divine spark of logic, and so what’s actually bad is your response, which you can change and have control over.

“Stoicism is thus from the outset a deterministic system that appears to leave no room for human free will and more responsibility,” wrote Gregory Hays, associate professor of classics at the University of Virginia, in the introduction to his translation of Meditations. “In reality the Stoics were reluctant to accept such an arrangement, and attempted to get around the difficulty by defining free will as a voluntary accommodation to what is in any case inevitable.” Hays described it like this: Imagine that we are like a dog tied to a moving wagon. “If the dog refuses to run along with the wagon he will be dragged by it, yet the choice remains his: to run or be dragged.”

Zuckerberg agreed that in the community that takes Stoicism seriously, the people she’s writing about are in short supply. But in the types of online meeting grounds she explored in her book, she said, “the use of Stoicism is much more superficial yet also more disturbing.” She maintains that it’s the “unfortunate responsibility of people who take Stoicism seriously to insist that out-of-context quotations from Marcus Aurelius aren’t the full picture when it comes to Stoicism, and the reality is a lot more nuanced and less individualistic.”

Whiting felt that Zuckerberg’s warnings in her book went unheeded, and that people dismissed her. “I thought that we did not respond as a Stoic community with kindness to Donna,” Whiting said. “I don’t think we did enough to thank her for the stance that she took and the effort that she made. People say, ‘Oh, you know, she made us look bad.’ She made us look in the mirror.”

Stoicism is a wonderful philosophy, but there are some elements missing, if it’s taken on too unilaterally. Evans found that focus on the rational can omit ecstatic, non-rational approaches to healing and meaning. Incidentally, this can be the case with CBT as well, which is not for everyone, or for every problem. “Some people find the idea of trying to rationalize away your negative beliefs doesn’t work, which is why some people prefer Acceptance and Commitment Therapy,” Evans said. “I have a friend with OCD, and he can’t Socratically dispute his intrusive beliefs. That just makes it worse.”

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GABBLER RECOMMENDS: Is ‘Blade Runner: 2049’ GOOD or BAD? Masterful cyberpunk or boring slog? A debate.

“The film’s weakness, however, lies within its use of the superfluous. Like other cyberpunk dystopias, 2049 heavily relies on Asian aesthetics to indicate the future. The neon kanji signs, the bustling Chinatown, Neander Wallace’s yukata, Joi’scheongsam. LAPD’s crime scene materials are labeled in English and Japanese. At some point, Los Angeles became a multicultural city, even more so than today, but where are its non-white citizens? I spotted maybe one or two Asians in passing when K was eating (a bento box!) in Chinatown. And have we ever seen a Replicant of color? If not, why is that? Whose future is this? Would non-white robot slaves be too on-the-nose, too uncomfortable for Hollywood to handle?”

“If the point of Blade Runner: 2049 is to examine what happens when clones/artificial intelligence gain sentience and the ability to reproduce, it’s already been explored much better by Ex Machina and Westworld. If the point of Blade Runner: 2049 is to suggest that it might be unpleasant to live in an environmental wasteland, let’s just say I have high hopes for Geostorm. If the point of Blade Runner: 2049 is to warn us that unregulated technology might be bad, it’s being done better right now by REAL LIFE and by Black Mirror in science fiction.”

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GABBLER RECOMMENDS: Cleopatra’s Downfall Was Partly Sparked by Climate Change and Volcanoes by Becky Ferreira

 

“She did manage to avert revolt against her rule despite all of the stresses that occurred following the Nile failures and eruptions, in contrast to many of her male predecessors as Pharaohs,” Ludlow said. “Cleopatra seems to have been much better at disaster management than some of our modern politicians.”

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GABBLER RECOMMENDS: We’re All the Horsemen of the Apocalypse in New Doomsday Movies

Interestingly, despite our ever present doomsday fictions, the nature of the way we’ve portrayed the innumerable horsemen of the apocalypse has changed. In the past, the apocalypse was a single, cataclysmic event that could be stopped. From the machine armies of Terminator to the nuclear fallout in On the Beach, the apocalypse was always the result of a choice . But now, our end of the world stories tackle issues that are “broader and more diffuse,” which makes us “afraid but less able to point to a source of our fear,” Bures wrote.

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See also: What we talk about when we talk about post-apocalyptic stories.

GABBLER RECOMMENDS: The Author Behind ‘Arrival’, the Sci-Fi Movie of the Year

‘Chiang doesn’t keep a journal in which to jot down his ideas, and he doesn’t dedicate a set time of the day to think. Rather, “the stories I write are usually based on ideas that have been rattling around in my head for years,” he said. “I get plenty of ideas that I lose interest in almost immediately. It’s only when I keep returning to a particular idea again and again over a long period of time do I know that it’s something that might become a story.”

He continues, “Writing is very difficult for me, and so I write very slowly.” That delay is in part due to Chiang’s character development, thinking of how he can blend his stories with the right characters and then bringing together a number of threads.

His characters are capable of existing both on and outside the page, and while Chiang’s plots are clearly sci-fi oriented, nothing is unbelievable. “I’m sure there are readers who can’t suspend their disbelief when reading my work,” he wrote. “But I suppose I’m more interested in exploring philosophical questions, and I don’t think fanciful technology helps with that. When philosophers pose thought experiments, I tend to prefer the ones that don’t involve really outlandish premises.”

“Every studio passed, telling me they didn’t see this as a movie,” he continued. “That it was too smart, which I began to see as an excuse to pass on something that isn’t a franchise movie.” Heisserer negotiated for the literary rights for one year, and adapted Story of Your Life on spec until he was finally received the go-ahead in 2010. “It has been a slow crawl to get to where we see the movie released,” he said.

But even if Arrival smashes through the box office and awards season—and if advanced reviews are any indication, it will—Chiang doesn’t intend to forget his roots. He still has no desire to ever write a novel, which he first made clear in an email to Kim when the two initially spoke several years ago, writing: “I am not writing a novel. Just to let you know, I am a short story writer.”’

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