GABBLER RECOMMENDS: Mark Clamen’s Review ‘The Almighty Johnsons: Family Dysfunction of Heavenly Proportions’

The series has a relaxed pace, quite unlike other shows of its genre. The best of the first season, and its greatest charm, lay in the feeling that it was in no rush to get anywhere in particular. Scenes go on a little bit longer than you’d expect, and the characters (and the series) are often happy sitting exactly where they happen to be. In fact, when I first tuned in, as much as I enjoyed the early episodes, I wasn’t sure what the story was, or intended to be. There didn’t seem to be a season there, far less a multi-year story! (There was also the question of how it was to negotiate the How I Met Your Mother problem, where every new female character to enter a room might be – and really probably isn’t – “the Frigg.”)…

…A new era is coming, and the Johnson brothers seem destined to be at the centre of it. But there is nothing epic about it, Norse or Hollywood. It all happens in small scenes, without grand special effects – at barbeques, in alleys behind bars, and in the stacks of public libraries. The groundedness of our boys (a fridge full of beer, the trials of daily life and loving) is what consistently keeps the narrative from floating off to Asgard. The result is a playful and sometimes even blasé attitude towards to the story’s own mythic centre: a half dozen gods and goddesses piling into an old station wagon to do battle against their enemies, or a goddess whose gift appears to be a preternatural ability to organize parties, or when one of the brothers starts dating someone who is literally Hel, etc. The series is often laugh-out-loud funny precisely when it plays straight, with a character simply laying out the absurdity of a situation in the plainest possible terms and then taking a pull from a pint, or when Axl filters new revelations through the limits of his Star Wars-centric imagination.  For example, here’s how Mike Johnson explained why he kept certain aspects of their family history from his younger brothers for so many years: “I mean, what was I meant to do? Tell a bunch of bloody kids their mother is a fucking tree?”

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Ursula K. Le Guin didn’t like Neil Gaiman’s representation of gods

“What finally left me feeling dissatisfied is, paradoxically, the pleasant, ingratiating way in which he tells it. These gods are not only mortal, they’re a bit banal. They talk a great deal, in a conversational tone that descends sometimes to smart-ass repartee. This chattiness will be familiar to an audience accustomed to animated film and graphic narrative, which have grown heavy with dialogue, and in which disrespect is generally treated as a virtue. But it trivialises, and I felt sometimes that this vigorous, robust, good-natured version of the mythos gives us everything but the very essence of it, the heart.

The Norse myths were narrative expressions of a religion deeply strange to us. Judaism, Christianity and Islam are divine comedies: there may be punishment for the wicked, but the promise of salvation holds. What we have from the Norse is a fragment of a divine tragedy. Vague promises of a better world after the Fimbulwinter and the final apocalypse are unconvincing; that’s not where this story goes. It goes inexorably from nothingness into night. You just can’t make pals of these brutal giants and self-destructive gods. They are tragic to the bone.” -Ursula K. Le Guin reviewing Norse Mythology by Neil Gaiman.

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[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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Gabbler Recommends: Travel Light, by Naomi Mitchison

I am going to start this new thing called “GABBLER RECOMMENDS” (also searchable as a tag “category” — see the side bar). It will showcase items that both BLA and I enjoyed. Feel free to recommend interesting books/novelties/artifacts to us in the comments below. There’s probably a lot we haven’t tried.

***CORRECTION*** BLA tells me that s/he has tried everything and therefore should make it clear that it’s only ME who needs help in my cultural development. Perhaps BLA is right. After all, I backed THE AUTOMATION. Ahem.

But to the post!

Gabbler recommends… Travel Light.

Why? Because this novel has nice dragons in it. Not all need to be slain. This novel weaves together various myths and magical creatures into one beautiful fairytale-like story. It was a very quick read (very short), and worth your time.