Tweets of the Week(s): Rise Like the Phoenix

We had a week or two to catch up on, sorry guys:

https://twitter.com/PoemsPorn/status/672189746290921472

 

 

#BLAThoughtOfTheDay: Only dipping your toe

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Gabbler recently recommended Fifteen Dogs by André Alexis. I, however, have reservations about recommending the book (yes, I have read it too).

As someone who may be particularly knowledgeable about what it is to be a non-human animal, let me say this. While the fable itself is fine, and the scenario is certainly interesting (Hermes and Apollo give human intelligence to fifteen dogs they find at a veterinary clinic for a bet to see whether or not even one of those dogs will die happy), the story ultimately has little impact on how we understand our own said “intelligence” or the human-animal relationship.

Dogs were chosen as the subject for the experiment, and, since so, a population from a more diverse pool should have been employed. I was disappointed that no dogs from, say, a kill shelter were involved, no dogs from a dog fighting ring were involved, no dogs from the meat trade were even thoughts. The dog characters did not have diverse backgrounds, and how might that have changed the story? This was one way Apollo, Hermes, and Alexis himself avoided real dog-specific issues. None of the dogs really had to grapple with the higher forms of exploitation and oppression their own species faces every day at the hands of human intelligence. Instead, we get a thought about what dog culture might be if dogs could analyze it as such. But what is culture when in reality there are so few instances of allowing them to even exist together? Perhaps Alexis should have considered rez dogs or even wolves. They already have a social structure that need not be contrived.

The story focuses on the symbol of the collar and leash, dominance in a pack/household, the existential nature of dogs trying to be dogs despite a human mind. This dance around the real plights a canine faces in our world ultimately made it a too-comfortable read, and, I think, kept the humans in the story (and the humans reading the story) from being confronted with the evils and sadness “human intelligence” is capable of.

But the bet itself was cool. Gods should gamble more often. Oh wait, that’s all they do.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

 

This post was updated in 2024.

Tweets of the Week: Four and twenty blackbirds baked in a pie.

[BLA and GB Gabbler (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellow B&N | Amazon | Etc.

Mythpunk

Quote:
Do we really need all these labels, all these punks? We probably don’t need them. But because of them, certain writers and works are talked about. So they enable us to have conversations we did not have before. They allow us to notice writers we might have overlooked. And they allow those writers to speak and say, “This is what I am. Or am not.”

Theodora Goss's avatarTheodora Goss

I’ve been wanting to write about Mythpunk since JoSelle Vanderhooft’s interview of Catherynne M. Valente came out.

But I didn’t have time. And then a week later there was a Mythpunk Roundtable with Amal El-Mohtar, Rose Lemberg, Alex Dally MacFarlane, and Shweta Narayan, moderated by JoSelle.

And at some point I found Niall Harrison’s blog posts: Mythpunk and amimythpunkornot.com. All on Strange Horizons.

It was interesting to see that several of the above mentioned me. I also ended up in the Wikipedia definition of mythpunk:

“Described as a subgenre of mythic fiction, Catherynne M. Valente uses the term ‘mythpunk’ to define a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy. Writers whose works would fall under the mythpunk label are Catherynne M. Valente, Ekaterina Sedia, Theodora Goss, and…

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Greek Mythology 201: What the Movies Miss

This. SO this.

achaeanpunk's avatarAchaean Punk

If you’re anything like me, you’ve likely noticed this by now. Flashy visuals, postmodern takes on how god (or in this case the gods) don’t care/may as well be dead, trying to be hyper historical without a sense of what makes the story what it is, extreme fashion choices or drab all-white ensembles that look like they came directly out of Party City, and twenty new takes on Zeus that all seem to ignore one of the most fundamental (and disturbing and thus understandingly ignorable) pieces of his character.

The Greek Myth movie.

Between every strange, well-meaning, or outright deviating interpretation, Hollywood has hit the books again and again with entirely mixed results. I hesitate to say that there have been any interpretations of film myth that have really hit the mark, but there are things heading in the right direction, and things I wish we’d avoided entirely.

So…

View original post 1,548 more words