The ebook release date is now November 27th!
Visit one of the tour stops for a chance to win a print copy of THE AUTOMATION and read an excerpt from Vol. 2.
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Get in gear – it's finally here! The #CoverReveal for the #sequel to #TheAutomation has been birthed from the subterranean publishing forge. 🌋🌋🌋 Do judge us by our glitchy cover!. . 🎠🎪🎠Follow the blog tour on our Twitters ( @circofootnotes & @circoringmaster ) for a chance to win a print copy of Vol. 1 and to read an excerpt from Vol. 2🎠🏛🎠. . [[[The crippled god of #metallurgy, fire, and #alchemy has many names and many faces—sometimes #Hephaestus, #Ptah, or #Vulcan. He changes to suit his needs. And just like his names, his creations have gone through countless revisions. This time, he’s finally onto something—his #Automata have turned the heads of other #gods. They’ve noticed their pre-programmed potential. There’s a reason Vulcan didn’t scrap the Automata—a reason he left them in the care of humans all this time. They were just the beta testers for his most intricate windup toy yet… . Vulcan’s ancient Automata find their purpose rebooted in the second installment of the CIRCO DEL HERRERO/THE BLACKSMITH’S CIRCUS series. Their immortal human Masters will drop like flies—superfluous in the next round as the gods shuffle in a new deck of fateful cards. The Masters can choose how and when, but they will all die to free the Automata of their earthly chains. Odys and his Automaton, Maud, struggle to protect his twin sister from the plotting of his dual-bodied adversaries. But his sister, Odissa, finds herself a willing participant in The Blacksmith’s latest exhibition—could she be the missing cog to the god’s tightly wound machine all along? . In this thrilling sequel to THE AUTOMATION, the #Narrator and #Editor drag readers deeper into the dark history and even darker future of Automata. When the subterranean god emerges with his postlapsarian blueprint, so will the truth about B.L.A. and G.B. Gabbler.]]] #whatthehammer🔨 #whatthechain🔗 #inwhatfurnace🔥 #wasthybrain🎠