Thank you to all the bloggers who participated in THE PRE-PROGRAMMING’s Cover Reveal Blog Tour

Visit one of the tour stops for a chance to win a print copy of THE AUTOMATION and read an excerpt from Vol. 2.

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Get in gear – it's finally here! The #CoverReveal for the #sequel to #TheAutomation has been birthed from the subterranean publishing forge. 🌋🌋🌋 Do judge us by our glitchy cover!. . 🎠🎪🎠Follow the blog tour on our Twitters ( @circofootnotes & @circoringmaster ) for a chance to win a print copy of Vol. 1 and to read an excerpt from Vol. 2🎠🏛🎠. . [[[The crippled god of #metallurgy, fire, and #alchemy has many names and many faces—sometimes #Hephaestus, #Ptah, or #Vulcan. He changes to suit his needs. And just like his names, his creations have gone through countless revisions. This time, he’s finally onto something—his #Automata have turned the heads of other #gods. They’ve noticed their pre-programmed potential. There’s a reason Vulcan didn’t scrap the Automata—a reason he left them in the care of humans all this time. They were just the beta testers for his most intricate windup toy yet… . Vulcan’s ancient Automata find their purpose rebooted in the second installment of the CIRCO DEL HERRERO/THE BLACKSMITH’S CIRCUS series. Their immortal human Masters will drop like flies—superfluous in the next round as the gods shuffle in a new deck of fateful cards. The Masters can choose how and when, but they will all die to free the Automata of their earthly chains. Odys and his Automaton, Maud, struggle to protect his twin sister from the plotting of his dual-bodied adversaries. But his sister, Odissa, finds herself a willing participant in The Blacksmith’s latest exhibition—could she be the missing cog to the god’s tightly wound machine all along? . In this thrilling sequel to THE AUTOMATION, the #Narrator and #Editor drag readers deeper into the dark history and even darker future of Automata. When the subterranean god emerges with his postlapsarian blueprint, so will the truth about B.L.A. and G.B. Gabbler.]]] #whatthehammer🔨 #whatthechain🔗 #inwhatfurnace🔥 #wasthybrain🎠

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#BLAThoughtOfTheDay: It true.

Looking at you, American Gods

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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PSA: Read The Automation for free on Smashwords

Read it for free.

Mythpunk

Quote:
Do we really need all these labels, all these punks? We probably don’t need them. But because of them, certain writers and works are talked about. So they enable us to have conversations we did not have before. They allow us to notice writers we might have overlooked. And they allow those writers to speak and say, “This is what I am. Or am not.”

Theodora Goss

I’ve been wanting to write about Mythpunk since JoSelle Vanderhooft’s interview of Catherynne M. Valente came out.

But I didn’t have time. And then a week later there was a Mythpunk Roundtable with Amal El-Mohtar, Rose Lemberg, Alex Dally MacFarlane, and Shweta Narayan, moderated by JoSelle.

And at some point I found Niall Harrison’s blog posts: Mythpunk and amimythpunkornot.com. All on Strange Horizons.

It was interesting to see that several of the above mentioned me. I also ended up in the Wikipedia definition of mythpunk:

“Described as a subgenre of mythic fiction, Catherynne M. Valente uses the term ‘mythpunk’ to define a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy. Writers whose works would fall under the mythpunk label are Catherynne M. Valente, Ekaterina Sedia, Theodora Goss, and…

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