[a website for the Editor and Narrator of the Circo del Herrero series]
Visit one of the tour stops for a chance to win a print copy of THE AUTOMATION and read an excerpt from Vol. 2.
Quote:
Do we really need all these labels, all these punks? We probably don’t need them. But because of them, certain writers and works are talked about. So they enable us to have conversations we did not have before. They allow us to notice writers we might have overlooked. And they allow those writers to speak and say, “This is what I am. Or am not.”
I’ve been wanting to write about Mythpunk since JoSelle Vanderhooft’s interview of Catherynne M. Valente came out.
But I didn’t have time. And then a week later there was a Mythpunk Roundtable with Amal El-Mohtar, Rose Lemberg, Alex Dally MacFarlane, and Shweta Narayan, moderated by JoSelle.
And at some point I found Niall Harrison’s blog posts: Mythpunk and amimythpunkornot.com. All on Strange Horizons.
It was interesting to see that several of the above mentioned me. I also ended up in the Wikipedia definition of mythpunk:
“Described as a subgenre of mythic fiction, Catherynne M. Valente uses the term ‘mythpunk’ to define a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy. Writers whose works would fall under the mythpunk label are Catherynne M. Valente, Ekaterina Sedia, Theodora Goss, and…
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