On the readers:

“In the management of many sports stadiums, the difference between losing and making money depends on the proper design of the passageways for the optimum circulation of vendors. The sporting event is thus a way of assembling an audience that may be sold to hotdog, beer, popcorn, and coffee concessions.

In the case of the book, there are no third parties: all costs are paid by the consumer. Where commercial broadcast radio and television are concerned, the opposite is true:  the audience pays for nothing except the purchase of the equipment. Newspapers and magazines are paid for partly by third parties and partly by the customer.

It follows, therefore, that for the reader books are relatively more expensive than the other media. The book’s relative expense limits its reach, especially when its potential to readers aren’t well off, though public libraries reduce this barrier by providing access to books for free…

A book is like a conversation, and it isn’t true that anyone can follow each and every conversation, joining or abandoning it at will. For that to be possible, we’d always have to be discussing the weather, or something similar, in a conversation destined to begin over and over and never move on…

The problem is not that millions of poor people have little or no buying power. You may have the money to buy a book but not the interest or the training to follow its content. This happens even with college graduates. May of them would rather write than read. In fact, millions of them have never learned what it is to love to read…”

-Gabriel Zaid, So Many Books 

Happy Indie Author Day 2016!

indieauthordayTo celebrate, why not share some indie love by promoting an indie book or author? Or, you could read an indie book!

We suggest (cough, cough) THE AUTOMATION. It’s free to read in its entirety on Goodreads.

June, July, August, September Roundup: Dear Hades, keep your wife.

So, the monthly roundup isn’t so monthly anymore…

In June, we posted about how authors shouldn’t guilt trip readers and about Theodora Goss on why she writes.  One of June’s BookTuber Tuesday posts covered an interesting discussion on Book Packagers, and a GABBLER RECOMMENDS included Maria Bamford’s Lady Dynamite. 

In July, we started the EPIC CATALOG category on the blog. Check out all the lists we have categorized so far. That month, we posted about a film written by AI and what not to do with a nom de plume.  Also, why we need to consider how ghostwriting/ghostwriters harm our culture.

August led to BLA’s rants on The Cursed Child and this post about how multiple versions of a book might sway opinion of it. Gabbler RECOMMENDED this RadioLab podcast about why Homer never mentions the color blue (not just because he’s never sad; seriously, listen to it!).

In September we celebrated the anniversary of THE AUTOMATION by hosting a giveaway. If you didn’t win, that’s OK, you can read it for free or download it as an ebook on Goodreads.  A #BLAThoughtOfTheDay included this post on why we need to talk about Lionel Shriver. And, to end with, we really recommend reading this opinion piece by Amy Hungerford on why you might not want to read ALL THE BOOKS.

Here’s to the next season when we’ll eventually get to our monthly roundup!

#BLAThoughtOfTheDay – If paying for someone to do your homework is wrong, isn’t it wrong for a ghost writer to write novels for other people?

Where does artistic and academic integrity differ? How to do we define integrity; if we’re making money off something does it become irrelevant? Has anyone asked James Patterson or the Big 5 these questions?

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“There is another problem with calling on academics alone to tackle plagiarism. Research suggests that many may themselves be guilty of the same [offense] or may ignore their students’ dishonesty because they feel investigating plagiarism takes too much time.

It has also been proved that cheating behaviour thrives in environments where there are few or no consequences. But perhaps herein lies a solution that could help in addressing the problem of plagiarism and paper mills.”

[Via]

See also: Why Literature Is No Longer Art & On Book Packagers & Art & Honesty

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Tweets of the Week: Birdhouse

https://twitter.com/elena_yip/status/727273384518766592