J.K. Rowling’s North American Indigenous Magic population “could have been great” – N.K. Jemisin

“That would be for her to have treated American peoples — all of us — with the same respect that she did European. Pretty sure she would never have dreamt of reducing all of Europe’s cultures to “European wizarding tradition”; instead she created Durmstrang and Beauxbatons and so on to capture the unique flavor of each of those cultures. It would’ve taken some work for her to research Navajo stories and pick (or request) some elements from that tradition that weren’t stereotypical or sacred — and then for her to do it again with the Paiutes and again with the Iroquois and so on. But that is work she should’ve done — for the sake of her readers who live those traditions, if not for her own edification as a writer. And how much more delightful could Magic in North America have been if she’d put an ancient, still-thriving Macchu Picchu magic school alongside a brash, newer New York school? How much richer could her history have been if she’d mentioned the ruins of a “lost” school at Cahokia, full of dangerous magical artifacts and the signs of mysterious, hasty abandonment? Or a New Orleanian school founded by Marie Laveau, that practiced real vodoun and was open/known to the locals as a temple — and in the old days as a safe place to plan slave rebellions, a la Congo Square? Or what if she’d mentioned that ancient Death Eater-ish wizards deliberately destroyed the magical school of Hawai’i — but native Hawai’ians are rebuilding it now as Liliuokalani Institute, better than before and open to all?

Sigh. She just shouldn’t have touched North America if she was going to gloss over everything that makes this part of the world what it is — the grotesque along with the sweet. This is who we are, for better or worse. Our history — all Americans’ history — needs respect, not pablum and stereotypes.”

[Via]

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

On Being Kind, Being Afraid, and Being a Young Writer

#BLAThoughtOfTheDay: Was Anomalisa a good movie?

We saw this back in January, and it was surprisingly better than I thought it was going to be.

But, here is the thought(s)/questions I’m left wondering [spoilers]:

1. Was the Japanese automaton a symbol for the woman he truly wants? The automaton’s voice at the end was the only distinct non-Tom Noonan voice left. Was the automaton the only true Anomalisa? Or maybe the anomalisa was himself–that he can never find someone as original as his own person?

2. Was the glitchy dream really necessary? Indeed, are any dream sequences necessary? While it reminded the audience that they were dealing with puppet-dolls (which is ironic because part of the plot centers around said puppets dealing with an antique sex doll/automaton), did this add anything to the greater theme other than irony? It tired the point, for sure.

3. Also, it bothered us that all the characters were white, even though, yes, they were supposed to have the same face. Adding diversity of skin tone probably would have made it harder to notice they were all the same (which was kind of hard to notice as purposeful to begin with). But I’m sure something else could have been done to drive home that point that didn’t involve whitewashing every human being alive.

If you’ve got some thoughts on this movie, please tell us below!

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

GABBLER RECOMMENDS: What it takes to be a cyborg

‘”Cyborg” is a loaded and attention-grabbing term, bearing associations from sci-fi novels and Hollywood, and whether it’s an entirely accurate label for these activities is up for debate. Some commentators broaden the definition to include anyone who uses artificial devices, such as computer screens or iPhones. Others prefer to narrow it. As early as 2003, in an article entitled “Cyborg morals, cyborg values, cyborg ethics,” Kevin Warwick, the professor who pioneered the cyborg movement in the academic sphere, described ‘cyborgs’ as being only those entities formed by a “human, machine brain/nervous system coupling”—essentially “a human whose nervous system is linked to a computer.”

Cyborgian implantation activities take place outside the clinic or hospital, as a sort of parallel to standardised medical experimentation. There is a keen desire to win over public support, which might explain the mob of journalists at the Dusseldorf event, who almost outnumbered the public. Österlund is clear: “We’re not going to work on sick people. That’s up to the medical industry,” he explains. “But we’re upgrading healthy people so that they can predict health issues. That’s definitely going to be the future.”

The concept of enhancement is what distinguishes cyborgism from other medical implantation, or from the ordinary fact of having to wear corrective glasses. This is not about therapeutics or repair, but about augmenting human senses beyond the norm. Despite the distinct gap between cyborg implants and clinical medicine, Cannon does think that they could fruitfully interact. “I think that a lot of time you have people in academia who are squeamish,” he accepts. “But as a result of medicine being the only people allowed to experiment, that has bound our hands and stymied research for a really long time. Well, we’re talking about being able to choose to participate in these experiments as perfectly healthy people and really investigate what’s possible. It allows us to move with an alacrity that science and medicine cannot in its current state.”

Legally, cyborgism falls into a nebulous category, neither regulated nor forbidden by law. In the UK, because the devices have no therapeutic value, doctors who carry out implant procedures potentially open themselves to legal risks, according to one GP, Dr Zoe Norris, who says most doctors would view the procedures as being purely cosmetic and therefore landing closer to the desks of their plastic surgeon colleagues. A spokeswoman for the British Association of Aesthetic Plastic Surgeons said that the organisation isn’t aware of a plastic surgeon implanting any such device. Nurses and technicians, she said, would be sufficiently well-equipped to carry out these fairly simple procedures, with only larger devices possibly requiring a surgeon. It therefore falls to the hands of tattoo and body modification artists to conduct the procedures or, in one case I heard of, a veterinarian (the grey-suited man who implanted Michael’s magnet at the fair was a tattoo artist). The UK’s House of Commons has produced a document that sets out the legislation, health guidance, consumer law and training relating to tattooing and body piercing—without mentioning chip implants or magnets in particular. The guidelines note that “contrary to popular belief, there is no formal minimum qualification for tattooists and body piercers.”’

[Via]

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Tweets of the Week: Hen Pecked

https://twitter.com/PetiteBritette/status/708042221392683009