Ghostwriter for “Art of the Deal” on Why Donald Trump should not be president:

‘”One of the chief things I’m concerned about is the limits of his attention span, which are as severe as any person I think I’ve ever met,” Schwartz says. “No matter what question I asked, he would become impatient with it pretty quickly, and literally, from the very first time I sat down to start interviewing him, after about 10 or 15 minutes, he said, ‘You know, I don’t really wanna talk about this stuff, I’m not interested in it, I mean it’s over, it’s the past, I’m done with it, what else have you got?’ ”

The idea of a president in an “incredibly complex and threatening world who can’t pay attention is itself frightening,” Schwartz says.

Add to that the fact that Trump is so easily provoked, that what Schwartz calls Trump’s insecurity “makes him incredibly reactive whenever he feels threatened, which is very, very often.”

As an example, Schwartz says, his interview in The New Yorker came out on Monday. On Tuesday, he received “a long and threatening letter from his lawyer designed, I think, to muzzle me.”

“For 25 years, I think Trump has done a very, very effective job of muzzling anyone who has worked for him or with him by signing very, very strict nondisclosure agreements before they start working with him,” Schwartz says. “It just turns out that I started with him so early that he hadn’t thought of it yet.”

“The reason I’m stepping up is because no one else seems to be free or willing to do so,” Schwartz says. “Believe me, it is not fun.”‘


See also: Why Literature Is No Longer Art.

Now is not the time for realistic fiction.

For her part, Atwood says this is not the time for realistic fiction — and it’s no coincidence that dystopia and fantasy are on the rise now. “I think they’re coming out of people’s feeling that things are going haywire, and you cannot depend on a stable background for ‘realistic fiction.’ And when there’s perceived instability that’s happening you can’t write that kind of novel and have people believe it.”

Read the rest.

GABBLER RECOMMENDS: The Real Don Quixote, on Radiolab

Liked for obvious reasons:

“Is our obsession with blurring the boundaries of reality a new thing? Or has it always been there? Everybody’s heard of the book Don Quixote, but we had no idea how totally insane, and how stirringly modern, Miguel Cervante’s masterpiece really was. It’s a story within a story within a story that beat Seinfeld to the punch by more than 400 years.”

The first Western novel was more meta than anything the Narrator and I could come up with.

[BLA and GB Gabbler (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellow B&N | Amazon | Etc.

From NPR: On Amanda Palmer – “There’s More To Asking Than Just Art”

There’s more to asking than just art? There’s more to art than just asking.

‘But in thinking about the art of asking, Palmer misses its most basic tenet: In our society, certain kinds of people are allowed to ask for things, and certain kinds of people are not. She writes as though the biggest obstacle to getting the help you need is a reluctance to ask — not, say, ingrained social structures having to do with race and class.

Who is allowed to ask for help? Who is heard when they ask for help? Whom do people want to help? These are basic questions that get little or no attention in The Art of Asking. Instead, we are coached in letting other people help us: “Your acceptance of the gift IS the gift,” she says.

Palmer accidentally hits on truth when she writes, “Effective crowdfunding is not about relying on the kindness of strangers, it’s about relying on the kindness of your crowd.” “Your crowd” is the crucial phrase. Here, she’s of course talking about her fans — as opposed to random strangers. But the uncomfortable, unexamined reality behind her thesis is that you must have a fairly wealthy, leisured and skilled fan base in the first place. Not everyone can ask their crowd for help, because not everyone has a crowd that can help.’

-Annalisa Quinn, for NPR.

Read the rest.
[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]