[Author-as-God, Author-as-Brand]

8) With the mock interviews and reviews, were you aiming to start a conversation about authorial identity and the problem of readers reading authors rather than books?

That would be lovely, yes. Because that’s exactly what we do: we read authors. At present I am being interviewed by the New York Times not for the quality of my writing (which, by any standard, is tremendous and perhaps even “top-notch”) but because I may or may not be Thomas Pynchon. This is unfair to my work – especially if I am not Thomas Pynchon – as well as to the many other writers out there who are being denied access to their own possible readerships on the grounds that they are not Thomas Pynchon.

Read the rest. 

[Self-published author gets interviewed and the main point isn’t that they self-published? Spoof gets treated like the real deal for NOT being the real deal? Am I in heaven?]


[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

GABBLER RECOMMENDS: The Real Don Quixote, on Radiolab

Liked for obvious reasons:

“Is our obsession with blurring the boundaries of reality a new thing? Or has it always been there? Everybody’s heard of the book Don Quixote, but we had no idea how totally insane, and how stirringly modern, Miguel Cervante’s masterpiece really was. It’s a story within a story within a story that beat Seinfeld to the punch by more than 400 years.”

The first Western novel was more meta than anything the Narrator and I could come up with.

[BLA and GB Gabbler (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellow B&N | Amazon | Etc.