Critique My Critique: Lev Grossman and being “Subversive”

“Perhaps if one knows Lev Grossman they will understand the clever joke behind it all, but your reader shouldn’t have to know you in order to understand your intent.”

PINEkindling's avatarPINEkindling Wordsmithery

It has been pointed out that these critiques may suggest that I don’t understand what Lev Grossman was doing with The Magicians—that is, writing a “subversive” adult version of children’s high fantasy, in which the terrible realities of our world aren’t hidden, but rather that the “reality” of having magic and the world being magical, would actually not be so full of wonder and awe as it is in Narnia and Harry Potter.

Trust me, I understand. Grossman goes out of his way to hammer you over the head with how depressing and sad he thinks the world actually is. But let me be clear—simply because he was attempting to be subversive in fantasy, does not mean he succeeded. The main character being depressed and the reality of his dreams always being disappointing is not subversion—it’s a misunderstanding of the genre and it’s boring.

First, to be subversive in…

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Five Fascinating Facts about C. S. Lewis

Happy Birthday, C.S. Lewis:

InterestingLiterature's avatarInteresting Literature

C. S. Lewis was born on this day in 1898, so we’ve gathered together our five favourite interesting facts about Lewis and his work. Some of the interesting facts about C. S. Lewis that follow touch upon his friendship with J. R. R. Tolkien; these may be known to diehard fans of the ‘Inklings’ (of whom more below), but we hope that some facts will be news to even devoted fans of C. S. Lewis’s work.

1. C. S. Lewis and J. R. R. Tolkien once went to a party dressed as polar bears. It wasn’t a fancy-dress party. According to Humphrey Carpenter in his biography of Tolkien, Tolkien went to a New Year’s party in the 1930s as a polar bear, wearing a sheepskin with his face painted white. Neil Heims, in a recent book on Tolkien, lists Lewis as his fellow party guest, similarly attired in ursine costume…

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On C.S. Lewis being an “Old Western Man”

“If we look at the various creative impulses that went into Lewis’ fantasies, we will see how they all come together in Perelandra. We can start with Lewis the self-confessed ‘dinosaur.’ As we have seen, he disliked modernity and its ‘goods’ – in particular the glorification of technology, the social ideal of equality and the liberalism of present-day theology – and turned, like his friend Tolkien, toward medieval cultural values; his description of William’s theology as ‘Nicene, hierarchical, severe,’ might equally apply to his own. He was particularly alienated from the humanist character of contemporary literature and criticism; and most of his own literary criticism is concerned rather with allegory or myth than the novel. In his inaugural lecture, De Descriptione Temporum, as Professor of Medieval and Renaissance English literature at Cambridge in 1954, he described himself as an ‘Old Western’ man, by which he meant that by preference he belonged to a culture which (as far as he was concerned) ended about 1830.”

From Modern Fantasy by C.N. Manlove.

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

Jason Kehe on Lev Grossman’s THE MAGICIANS:

“A comparison to Tolkien is inevitable for any fantasy writer—as is a comparison to C. S. Lewis, J. K. Rowling, and just about every other fantasist who ever was (T. H. White, Le Guin, Feist, Pratchett, Pullman, Alan Moore, and so on, as well as some notable non-fantasists, like the great Evelyn Waugh). But with Grossman, the comparison is even more unavoidable than usual. If the references to a school for magic and a mystical land didn’t already tip you off, Grossman’s trilogy plays as an epic riff on the entire genre. And just in case you still don’t get it, he drops allusions to these works throughout, from specific (Rowling’s “muggles,” for instance) to structural (boy-wizard trope, Lewis’s Narnia). The goal, it seems, is to be so derivative, so plagiaristic in its parts, that their sum somehow circles back in an Ouroboros of meta-magic and achieves a kind of renewed originality. The entirety of protagonist Quentin Coldwater’s journey is supposed to transcend the familiarity of its particulars. ”

Read the rest.

By Lev Grossman

Today we celebrate the birth of John Milton…

May his legacy be as EPIC as his poetry.

“The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil’s party without knowing it.” – William Blake

And – gods above! – we like to party too.