“In Homer, Hephaistos is the divine goldsmith. “

‘For the popularity of Athena among the artisans at this time some verses of Sophocles are characteristic: “Come out in the street you, all the people of the handicraftsmen, who venerate the daughter of Zeus, Ergane, with sacrificial baskets and beside the heavy anvil, beaten with hammers.” Evidently, Sophocles hints at some popular festival of Athena celebrated by the artisans in the streets of the town. There was such a festival, the Chalkeia. The word signifies the festival of the coppersmiths. It belonged to Athena, but at a later date another god of the Athenian artisans, Hephaistos, was associated with Athena. These two even had a common temple. In Homer, Hephaistos is the divine goldsmith. He probably came from the island of Lemnos or, perhaps, from Asia Minor. In origin he was a daemon of fire coming up from the earth. Gas which takes fire and burns is considered by many people to be divine. Later a volcano was considered to be his smithy. He had almost no cults in Greece except in Athens. No doubt the Athenian artisans took up his cult and place him at the side of Athena. He seemed, perhaps, to be nearer to them than the great city goddess. But in the early age it was she who was the protectress of the Athenian craftsmen.’ – Greek Folk Religion, Martin P. Nilsson.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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Tweets of the Week: Lovely weather for ducks

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Tweets of the Week: Pecking Order


[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

On Cheating:

My point is that Michael Derrick Hudson could have found a more effective way to promote his poetry, or so it seems to me. His strategy would never have occurred to me: There has to be some honor, even among thieves. But it is a strategy, however misguided, and strategy is what is required to compete in this very small game. My small submission ruses were hardly innovative. The obstacles erected by publications could be disrupted more cleverly and quite without the racial clamminess for which he opted. I encourage all poets and short fictions writers to find them. Code-writing writers should game the electronic submission portals, and figure out a way to automatically shuffle a story to the top of the digital pile. Bribery seems an option (if you’re submitting to me), although since most literary publications pay nothing or next to it, I can’t imagine the point. And if, as Hudson implies, race wins out then win the race race, I guess. Yet I bet it doesn’t, even for him. His 49 rejections—40 white, 9 non—strikes me as far from conclusive evidence. Besides, what I’m counseling is cheating: You don’t have to be an asshole. The submission process is a rigged casino game, though, and all is fair in love and literary magazines.

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[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Tweets of the week: As Proud as a Peacock