Read the first five chapters from THE AUTOMATION for free on Goodreads:

HECK YES!
HECK YES!

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

This comes up a lot in our DIVINE household *cough, cough*

Tell us your favorite mythologist below!

Some other MYTHOLOGISTS  include:

J.R. Tolkien

Dante

C.S. Lewis

Edith Hamilton 

Roger Lancelyn Green

Homer

John Milton

Virgil

A Comparison of American Gods and Percy Jackson: Western Adaptions of Ancient Gods

We wonder if there is a difference between placing gods in America and Americanizing them. We certainly hope so. #NoHubris

Kellisina's avatar

Neil Gaiman and Rick Riordan have distinctly different audiences but they do have one area where they create similar worlds: their Americanisation of ancient gods. So when I read Neil Gaiman’s American Gods for the first time, I found it hard not to compare it to Rick Riordans work.

(As a quick disclaimer, I’ll be referring only to Riordans Percy Jackson series and the Heroes of Olympus series. I’m aware that Riordan has written about the Egyptian Mythology, but I haven’t read them yet so I can’t include them in this blog post. I’m also using Gaimans ‘preferred text’ so if anything seems unfamiliar, that may be why.)

Rick Riordans ‘Percy Jackson’ series is a young adult book which focuses on adventure whereas Neil Gaimans ‘American Gods’ is more of an adult novel which reads like a road trip. Since Gaiman targets an older audience, it means that he can…

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When her finger left, it was no longer just a plastic, black ashtray. It was a golden ashtray.

The midas touch.
The midas touch.

“Listen, Odys, if I say you don’t need something, you don’t. I can’t lie to you. Let me show you why you don’t need a job.”

She retracted her hand and raised an inveigling forefinger. Her eyes searched around the room, pinpointing his hallowed ashtray. “Observe, please.” She gestured to the somewhat-filthy thing. She placed her finger on the dimpled rim and traced it. When her finger left, it was no longer just a plastic, black ashtray. It was a golden ashtray.

“Solid as can be,” she added, handing it to him for corroboration. He took it, his hand falling from the unexpected weight. His jaw dropped. He didn’t even care about the butts falling to his lap.

She shrugged it off as if to say, Meh, it pays the bills. “Every atom—molecule—whatever-the-hell—equivalently changed. Don’t ask me how it works. Moreover, don’t expect me to always be able to do it. I have to use energy for this sort of thing—like forming clothes. Just look at me, panting. Also, when we pawn it they’ll ask where you got it. If they don’t the first time, they will the second. I can turn things into any metal you like, but selling the stuff can get tricky. But don’t worry, we’ll find ways. Welders love my work.” She watched Odys place the tray back on the coffee table, as if it was an explosive device. “Just be thankful I didn’t turn the couch solid gold, Odys. Would’ve fallen through the floor.”

From THE AUTOMATION

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

Every Rook and Jay in the Corvidae’s been Raven about me too!

Bulfinch would just eat the crow. Forget sugar.