Ursula K. Le Guin Schools Kazuo Ishiguro on Fantasy

We saw this a few days ago and wanted to catalog it here:

Ursula K. Le Guin.

‘Mr Ishiguro said to the interviewer, “Will readers follow me into this? Will they understand what I’m trying to do, or will they be prejudiced against the surface elements? Are they going to say this is fantasy?”

Well, yes, they probably will. Why not?

It appears that the author takes the word for an insult.

To me that is so insulting, it reflects such thoughtless prejudice, that I had to write this piece in response.

Fantasy is probably the oldest literary device for talking about reality.

‘Surface elements,’ by which I take it he means ogres, dragons, Arthurian knights, mysterious boatmen, etc., which occur in certain works of great literary merit such as Beowulf, the Morte d’Arthur, and The Lord of the Rings, are also much imitated in contemporary commercial hackwork. Their presence or absence is not what constitutes a fantasy. Literary fantasy is the result of a vivid, powerful, coherent imagination drawing plausible impossibilities together into a vivid, powerful and coherent story, such as those mentioned, or The Odyssey, or Alice in Wonderland.’

Read the rest.

 

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellow B&N | Amazon | Etc.

Mythpunk

Quote:
Do we really need all these labels, all these punks? We probably don’t need them. But because of them, certain writers and works are talked about. So they enable us to have conversations we did not have before. They allow us to notice writers we might have overlooked. And they allow those writers to speak and say, “This is what I am. Or am not.”

Theodora Goss's avatarTheodora Goss

I’ve been wanting to write about Mythpunk since JoSelle Vanderhooft’s interview of Catherynne M. Valente came out.

But I didn’t have time. And then a week later there was a Mythpunk Roundtable with Amal El-Mohtar, Rose Lemberg, Alex Dally MacFarlane, and Shweta Narayan, moderated by JoSelle.

And at some point I found Niall Harrison’s blog posts: Mythpunk and amimythpunkornot.com. All on Strange Horizons.

It was interesting to see that several of the above mentioned me. I also ended up in the Wikipedia definition of mythpunk:

“Described as a subgenre of mythic fiction, Catherynne M. Valente uses the term ‘mythpunk’ to define a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy. Writers whose works would fall under the mythpunk label are Catherynne M. Valente, Ekaterina Sedia, Theodora Goss, and…

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Alif the Unseen by G. Willow Wilson

From the post:

In another wryly self-aware passage, a (white American) convert to Islam questions why eastern writers are able to write great western literature, while the reverse doesn’t hold. Unless Lawrence Durrell’s Alexandria Quartet might qualify as eastern literature?

There’s a very simple test, replies Vikram the Vampire.““Is [the book] about bored, tired people having sex?”

“Yes,” said the convert, surprised.

“Then it’s western.””

Disappointment is a horrible thing