The Alchemyst’s Clocktower Automaton [video]:

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

On Neil Gaiman’s MIRROR MASK and CORALINE

gai

Parsons, Elizabeth and Naarah Sawers, Kate McInally. 2008. “The Other Mother: Neil Gaiman’s Postfeminist Fairytales.” Children’s Literature Association Quarterly 33, no. 4:371-389.

“…barking commands to the girls he fashioned from gold…”

Found this gem when doing  a bit of research.
Found this gem when doing a bit of research.

A Comparison of American Gods and Percy Jackson: Western Adaptions of Ancient Gods

We wonder if there is a difference between placing gods in America and Americanizing them. We certainly hope so. #NoHubris

Kellisina's avatar

Neil Gaiman and Rick Riordan have distinctly different audiences but they do have one area where they create similar worlds: their Americanisation of ancient gods. So when I read Neil Gaiman’s American Gods for the first time, I found it hard not to compare it to Rick Riordans work.

(As a quick disclaimer, I’ll be referring only to Riordans Percy Jackson series and the Heroes of Olympus series. I’m aware that Riordan has written about the Egyptian Mythology, but I haven’t read them yet so I can’t include them in this blog post. I’m also using Gaimans ‘preferred text’ so if anything seems unfamiliar, that may be why.)

Rick Riordans ‘Percy Jackson’ series is a young adult book which focuses on adventure whereas Neil Gaimans ‘American Gods’ is more of an adult novel which reads like a road trip. Since Gaiman targets an older audience, it means that he can…

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Circo del Herrero = The Circus of the Blacksmith. Therefore, The Blacksmith’s Circus. #TheAutomation #Vol1 of the #CircoDelHerrero series

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