‘How post-horror movies are taking over cinema’

“I wanted to engage with the archetypes and iconography of ghost films and haunted house movies, without ever crossing over into actually being a horror film,” says writer-director David Lowery, who made A Ghost Story with the proceeds of his previous movie, a remake of Disney’s Pete’s Dragon. “Look at any horror film and you can trace it back to a particular social or personal anxiety, and this film is no different in that regard: I was having a big-picture existential crisis about my place in the universe, and at the same time I was having a very personal conflict with my wife about where we were going to move to. And wrapped up in all of that was my longstanding desire to make a movie with a guy in a sheet.”

[Via]

GABBLER RECOMMENDS: A Ghost Story film

A house is haunted. A ghost is haunted by his past. A man haunts himself.

So much was done with such a small budget. It’s poignant and laughable simultaneously. It also interweaves sheet lore and loop theory very well. Highly recommended for creativity and message. This is the kind of movie David Lowery should be making.

A Ghost Story is difficult to categorise: eerily beautiful, dreamily melancholic, earnestly sincere and patience-testingly slow (I watched it sitting next to a man who could barely contain his exasperated harrumphs). The film ranks low for scares – it’s more likely to keep you up at night fretting about the meaning of life than to make you terrified of a spirit under the bed. A recent article in this paper included it in cinema’s latest big thing: post-horror.