GABBLER RECOMMENDS: The Revival of Stoicism by Shayla Love

Ada Palmer, an historian at the University of Chicago, argues that Stoicism is popular in places like Silicon Valley particularly because it doesn’t require a person not to be a CEO of a successful company to be a Stoic. “The Romans loved Stoicism because it was a philosophy that was compatible with political life,” Palmer said.

It’s perhaps unsurprising then that billionaires love a philosophy that doesn’t require them to give up on their wealth, but accept their role in the world, and counsels the less fortunate to not worry so much about their circumstances and accept their lot—as Zeno did when he lost all of his possessions.

“There is a risk that the mega-rich will seek philosophies that basically validate themselves and their lifestyles rather than awakening them to their blind spots, their obligations to their fellow beings,” Evans said.

The metaphysical side of ancient Stoicism contains an explanation as to why we shouldn’t worry about external events but simply our reactions to them—but it raises more potential problems.

The Stoics were monists, and thought that the universe was all connected, made of a divine rational substance called logos. The universe, they believed, was rational because it was organized by logos: Whatever happens is what’s meant to happen. Even things that seem bad to you have been ordained by the divine spark of logic, and so what’s actually bad is your response, which you can change and have control over.

“Stoicism is thus from the outset a deterministic system that appears to leave no room for human free will and more responsibility,” wrote Gregory Hays, associate professor of classics at the University of Virginia, in the introduction to his translation of Meditations. “In reality the Stoics were reluctant to accept such an arrangement, and attempted to get around the difficulty by defining free will as a voluntary accommodation to what is in any case inevitable.” Hays described it like this: Imagine that we are like a dog tied to a moving wagon. “If the dog refuses to run along with the wagon he will be dragged by it, yet the choice remains his: to run or be dragged.”

Zuckerberg agreed that in the community that takes Stoicism seriously, the people she’s writing about are in short supply. But in the types of online meeting grounds she explored in her book, she said, “the use of Stoicism is much more superficial yet also more disturbing.” She maintains that it’s the “unfortunate responsibility of people who take Stoicism seriously to insist that out-of-context quotations from Marcus Aurelius aren’t the full picture when it comes to Stoicism, and the reality is a lot more nuanced and less individualistic.”

Whiting felt that Zuckerberg’s warnings in her book went unheeded, and that people dismissed her. “I thought that we did not respond as a Stoic community with kindness to Donna,” Whiting said. “I don’t think we did enough to thank her for the stance that she took and the effort that she made. People say, ‘Oh, you know, she made us look bad.’ She made us look in the mirror.”

Stoicism is a wonderful philosophy, but there are some elements missing, if it’s taken on too unilaterally. Evans found that focus on the rational can omit ecstatic, non-rational approaches to healing and meaning. Incidentally, this can be the case with CBT as well, which is not for everyone, or for every problem. “Some people find the idea of trying to rationalize away your negative beliefs doesn’t work, which is why some people prefer Acceptance and Commitment Therapy,” Evans said. “I have a friend with OCD, and he can’t Socratically dispute his intrusive beliefs. That just makes it worse.”

[Via]

GABBLER RECOMMENDS: Why The End of Jenna Marbles Is The End of Authenticity

[I am interested in the marginalia. The editing. The revisions. How this affects our perceptions of growth and change and time. This video addresses it well.]

GABBLER RECOMMENDS: ‘It’s Time for Women to Reclaim Their Monstrosity’

DC: Personally, it really blew my mind when I hit middle school and realized that the women D’Aulaires’ referred to as Zeus’s “many wives” were actually his mistresses, and not always consensually so. Did you have any moments of shock when you moved from D’Aulaires’ to Ovid and Homer?

JZ: Oh, that’s a great question! I must have, because I was a D’Aulaires’ obsessive from literally preschool, so not only was I getting this slightly predigested version of the myths (I say that with love!) but I was also processing them through an exceptionally oblivious mind. For sure there’s more sex in mythology than I initially understood! The whole Ares/Aphrodite/Hephaestus love triangle is kind of played down in D’Aulaires’ and, in my recollection, played very up in Edith Hamilton for instance.

[Via]

GABBLER RECOMMENDS: Five Great Tom Bombadil Theories | Tolkien Theory

Those of you who have read volume 2 will know how important and unimportant Tom Bombadil is to talk about. This video may even confirm things for you.

GABBLER RECOMMENDS: Promising Young Woman – better than the reviewers are giving it credit for

Promising Young Woman is the first film we watched in 2021. It was a great kickoff to what we hope are many more great films, but we have notes for reviewers. Spoilers ahead.

I start first with this excerpt from Vulture’s review of it:

“But Cassie’s romance also sets Promising Young Woman up for a big finish that has to contend with the complicated question it’s been skirting all along — one of reconciliation versus retribution, and whether there’s any benefit to holding fast to rage forever, no matter how warranted. It’s a question that’s impossible to answer broadly, but the specific conclusion for which the movie opts is both profoundly upsetting and apparently intended to provoke applause. Fennell’s film is a vibrant, stylistically precise piece of work, but the sentiments it conveys don’t feel examined. It’s an acceleration off a cliff when what you’d really like to see is some kind of road forward, no matter how rough.”

I will admit that Cassie’s death turned the “dark comedy” into an unexpected, horrific allegory of some sort. But it was not undermined by this. In fact, I argue it was what had been promised throughout the whole film. I did see a “road forward,” actually, by Cassie’s forgiveness of Alfred Molina’s lawyer character. She granted him a way to set his wrongs right and he immediately asked for her forgiveness. You don’t see that a lot in stories like these. It was the kind of forgiveness I had hoped BoJack would be allowed in the Netflix series BoJack Horseman, but that show’s end left me a bit unsatisfied in terms of seeing justice or forgiveness for him. Not that Promising Young Woman is at all comforting, but it offers something a bit stronger.

Notes/Observations: 

– It is of course true that some do not heal from trauma. And do recognize the kind of trauma I mean–the trauma of losing a best friend. This film is not just about Cassie seeking revenge. It is about her dealing with her grief.

– Cassie is missing her other half, represented by half the friendship locket. She will never be whole again until her own body, wearing Nina’s half, is found.

– Cassie is sometimes framed as a saint-like figure in the film, righteous in her crusade. We see her as if she has a halo here, for example:

But these are red herrings. They distract from the Christ-like poses elsewhere that were at first lost on me:

And again:

– All of the sugar-coated colors and the amusing soundtrack are distractions from the ultimate sacrifice she is willing to make.

– Her love for her friend perhaps turns her into her friend, thus why she wears Nina’s half of the locket when she is murdered. Perhaps similar to a theme in Alias Grace, the dead possesses her to enact revenge. Cassie is a willing vessel for that revenge because she misses her friend so much and it is all she has left of her.

– Allison Willmore’s Vulture review says Cassie’s death/willingness to die is like “an acceleration off a cliff when what you’d really like to see is some kind of road forward, no matter how rough.” This made me wonder if Thelma & Louise had similar critiques back in the day when they drove off a literal cliff instead of continuing to live in the male dominated world that would never be home to them. What Thelma & Louise did to the buddy road film, Promising Young Woman might do to the dark comedy–or whatever genre it is that I haven’t pinned down yet. Throughout the whole film I thought there was going to be more gore and horror. Like this video essay breaks down, I also see Cassie as a single combination of the Whore and Madonna:

UPDATED AFTER PUBLICATION——————————————————

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