#TBT – Anthropomorphic Pop Culture

Print, TV, film:

What is your favorite animal-human? Let us know below, yo.

Tweets of the Week: Pecking Order


[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

On Cheating:

My point is that Michael Derrick Hudson could have found a more effective way to promote his poetry, or so it seems to me. His strategy would never have occurred to me: There has to be some honor, even among thieves. But it is a strategy, however misguided, and strategy is what is required to compete in this very small game. My small submission ruses were hardly innovative. The obstacles erected by publications could be disrupted more cleverly and quite without the racial clamminess for which he opted. I encourage all poets and short fictions writers to find them. Code-writing writers should game the electronic submission portals, and figure out a way to automatically shuffle a story to the top of the digital pile. Bribery seems an option (if you’re submitting to me), although since most literary publications pay nothing or next to it, I can’t imagine the point. And if, as Hudson implies, race wins out then win the race race, I guess. Yet I bet it doesn’t, even for him. His 49 rejections—40 white, 9 non—strikes me as far from conclusive evidence. Besides, what I’m counseling is cheating: You don’t have to be an asshole. The submission process is a rigged casino game, though, and all is fair in love and literary magazines.

Read the rest.


[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Now is not the time for realistic fiction.

For her part, Atwood says this is not the time for realistic fiction — and it’s no coincidence that dystopia and fantasy are on the rise now. “I think they’re coming out of people’s feeling that things are going haywire, and you cannot depend on a stable background for ‘realistic fiction.’ And when there’s perceived instability that’s happening you can’t write that kind of novel and have people believe it.”

Read the rest.

WHY I STAND BY PLANNED PARENTHOOD

libbabray's avatarLibba Bray

I was sixteen and in love for the first time.

After months of heated groping, my high school boyfriend and I wanted to go all the way. If there was anything I was sure about at sixteen, it was that I had no desire to be a high school mom. That meant birth control. That meant the most effective birth control I could imagine, something so effective it seemed made of unicorn tears and elf magic, forged in the fires of Mordor, and brought to me on the back of an armored Griffin who also happened to know a lot about prophylactics. That meant the Holy Hand Grenade: The Pill.

But getting my teenaged hands on The Pill felt like a fantastical quest of Tolkien-like proportions: Where? How? With what magical aid?

Growing up in a small, conservative, Texas town, my options for sex education were limited. I sure as…

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