On anti-fame and the importance of identity (fake or otherwise):

“‘When she performs, she chooses not to face the camera, but believe me, this is her singing live,’ announced Ellen in her introduction of Sia’s performance, accompanied by the faceless cover of the Aussie artist’s forthcoming album, 1000 Forms of Fear.

According to Sia, whose hits include Clap Your Hands and Breathe Me, the decision to shy away from the audience is in an effort to protect her mental health. The artist has never been secretive about her battle with painkiller addiction and alcoholism, disclosing all in an interview with Billboard last year (she covered the same issue with a paper bag over her head).

But is her attempt at fleeing the limelight thrusting her straight into it? Will it start a Bruce Wayne style obsession with unmasking the real Sia? Or is this a bold statement by an artist wanting to be judged by merits alone?

Daft Punk have successfully paved a masked empire…”

Read the rest.

There is something to be said about how, when the Entertainer distances themselves from the Audience, the Audience can better focus on the Art, and therefore the Entertainer remembers what it is like being an Artist. For there is no Art without the Artist. There is no Art or Artist without an Audience.

Is it the Artist/Entertainer who decides what is and is not art?

Where are the Art and Artist inseparable?

Thoughts?

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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2014 year roundup:

2014 was a big year for us, guys.

For one, we published our first book (it’s about Automatons and the Greek god Hephaestus–kind of).

ALSO: Gabbler recommended a lot of stuff (Gabbler has great taste in stuff), we cataloged some writing tidbits (quotes from people more important than us and so on), and, last but not least, we wrote a couple of original posts that really help capture our year that was 2014 on this CIRCO blog (we’ve chosen 14 to be exact):

1) We wrote a post about 10 things you might not know about THE AUTOMATION (our 2014 novel)–using GIFs!!!

2) Gabbler went on a rant in an essay about what literature qualifies as art.

3) We posted the first chapter of THE AUTOMATION on our blog.

4) And then, later on in the year, we posted about how you can read the first five chapters of THE AUTOMATION for free too.

5) We posted an interesting excerpt from a book about statues and Pandora. You should check it out.

6) We gave our novel’s cover nipple pasties at one point because we are classy like that.

7) We talked a bit about why Zoella having a ghostwriter write her first novel matters.

8) We posted this thing about the Automatons in THE AUTOMATION and how they are different from just regular automatons (capital-A, thank you).

9) Gabbler posted an essay titled “What we talk about when we talk about post-apocalyptic stories”–which spoke a lot about our tendency to romanticize natalism in the genre.

10) Right after #9, Gabbler wrote another essay titled “On Interstellar: You know who else wanted to explore with the intent of inhabiting new land and using its resources? Conquistadors.” Needless to say, Gabbler did not like Interstellar.

11) We made this observation on Homer and recorded it here.

12) We asked the question “Why didn’t J.K. Rowling self-publish as Robert Galbraith?” Seriously, why?

13) BLA and Gabbler had a little argument over mythologists, recorded here.

14) We posted an excerpt from our book about the Midas touch here: “…When her finger left, it was no longer just a plastic, black ashtray. It was a golden ashtray.”

Here is to 2015! May the gods scheme ever in your favor.

 

P.S. Today’s the last day to enter our giveaway. Bring in the new year with some ancient myth!

Goodreads Book Giveaway

The Automation by G.B. Gabbler

The Automation

by G.B. Gabbler

Giveaway ends December 30, 2014.

See the giveaway details
at Goodreads.

Enter to win

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

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Agalmatophilia:

“These representational trends have paved the way for what was the most daring outcome of the belief in living statues: agalmatophilia, or the desire of certain men to make love to statues.”

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

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On reviews and lack thereof…

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

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[On novels with more than one author]

[Ironic, isn’t it, that a novel with more than one “author” bothers me. Though this is probably not news to some of you. – The Author]

[“BLA and GB Gabbler” (really just a pen name) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, and goodreads.]

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