“It is great men, potential saints, not little men, who become merciless fanatics. Those who are readiest to die for a cause may easily become those who are readiest to kill for it. One sees the same principle at work in a field (comparatively) so unimportant as literary criticism; the most brutal work, the most rankling hatred of all other critics and of nearly all authors, may come from the most honest and disinterested critic, the man who cares most passionately and selflessly about literature. The higher the stakes, the greater the temptation to lose your temper over the game…Of all bad men religious bad men are the worst. Of all created beings the wickedest is one who originally stood in the immediate presence of God.” – C.S. Lewis, “The Cursings” in Reflections on the Psalms.
Tag: C.S. Lewis
BookTuber Tuesday – Lev Grossman on why Fantasy can answer questions Science Fiction can’t
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[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]
GABBLER RECOMMENDS: Why the British Tell Better Children’s Stories

“If British children gathered in the glow of the kitchen hearth to hear stories about magic swords and talking bears, American children sat at their mother’s knee listening to tales larded with moral messages about a world where life was hard, obedience emphasized, and Christian morality valued. Each style has its virtues, but the British approach undoubtedly yields the kinds of stories that appeal to the furthest reaches of children’s imagination.
Even well into the 19th and even 20th centuries, many believed they could be whisked away to a parallel universe. Shape shifters have long haunted the castles of clans claiming seals and bears as ancestors. “Gaelic culture teaches we needn’t fear the dark side,” Bateman says. Death is neither “a portal to heaven nor hell, but instead a continued life on earth where spirits are released to shadow the living.” A tear in this fabric is all it takes for a story to begin. Think Harry Potter, The Chronicles of Narnia, The Dark Is Rising, Peter Pan, The Golden Compass—all of which feature parallel worlds.
These were beliefs the Puritans firmly rejected as they fled Great Britain and religious persecution for the New World’s rocky shores. America is peculiar in its lack of indigenous folklore, Harvard’s Tatar says. Though African slaves brought folktales to Southern plantations, and Native Americans had a long tradition of mythology, little remains today of these rich worlds other than in small collections of Native American stories or the devalued vernacular of Uncle Remus, Uncle Tom, and the slave Jim in Huckleberry Finn.”
[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]
Tweets of the Week: Magpies, I throw sticks at them
Tweets of the Week: Cock of the Walk
