Karen Armstrong, on the witch hunt:

“The repressions of Western culture are nowhere more clearly shown than in then great panics of persecution that erupt from time to time with astonishing violence and subside just as suddenly leaving everybody bewildered and embarrassed by the temporary madness that has gripped society. The Nazi persecution of the Jews and McCarthy’s persecution of communists and homosexuals for un-American activities are obvious examples. The craze of persecution is not directed at real culprits or real enemies of society, but the victims act as scapegoats for neuroses which society has repressed and can only express in this violent and irrational way. We often call these crazes ‘witch hunts,’ because of the great craze for persecuting witches…It is a classic example of these irrational panics and has named them with good reason. Yet the great Witch Hunts did more than give a name to a curious and disturbing Western phenomenon. They have profoundly damaged the relationship between the sexes in our society.

The Witch Hunts brought together all the buried sexual fears that had been developing the Christian West. By the late 15th century the Church had clearly impressed Europe with a terror of sexuality and hatred of women that exploded in the first sporadic Witch Hunts….The Witch Hunts were a religious phenomenon and were engineered by the Church and supported both by the beliefs of devout people and the fears of the ‘witches’ themselves. There was no political or commercial motive such as contributed to the persecution of the religious order of the Templars or the persecution of the Roman Catholics during Queen Elizabeth’s reign. The Witch Hunts were purely the product of Christian zeal. It was an exclusively Western phenomenon…”

-Karen Armstrong, The Gospel According to Woman 

#TBT Automata Magicians

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

#TBT Bird Automata

Bird automata are perhaps the prettiest and most nonthreatening automata.

 

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

#TBT Monkey Automata

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

GABBLER RECOMMENDS: ‘The damage James Patterson Inc. has done to publishing’ by Paul St John Mackintosh

Asshole in a sweater.

“One important component of that admass approach was fighting the impression that books contained literature…

Mahler even comes out with a more reasonable explanation (than pure greed) for Patterson’s use of co-authors – who Patterson does credit, after all. “To maintain his frenetic pace of production, Patterson now uses co-authors for nearly all of his books,” Mahler explains. “This kind of collaboration is second nature to Patterson from his advertising days, and it’s certainly common in other creative industries, including television.” This also helps Patterson position himself competitively against other blockbuster authors. The point is that Patterson Inc. has created FMCG-level demand whereby a certain acreage of shelf space needs to be filled each season, and if Patterson himself can’t churn out enough words to fill that space, others are going to have to chip in to stock the supermarket shelves. Patterson Inc.’s productivity becomes hostage to its own success.

Mahler outlines the book world that the gospel according to Patterson Inc. has left us with. “Under pressure from both their parent companies and booksellers, publishers became less and less willing to gamble on undiscovered talent and more inclined to hoard their resources for their most bankable authors. The effect was self-fulfilling. The few books that publishers invested heavily in sold; most of the rest didn’t. And the blockbuster became even bigger.”

Is it fair to blame these developments all on one guy, however influential? Yes, all these potential opportunities were lying there in American bookselling and retailing already, just waiting to be exploited. But I don’t believe such changes are inevitable, and I certainly don’t believe how they develop is predetermined. America’s taste would probably have remained how it is with or without Patterson, because you can fool some of the people all of the time. But his influence has been responsible for spoiling the earth for other writers and writing, and turning traditional American publishing into something more like a monocrop ecology, where only one species dominates and the rest clings to survival along its fringes.”

Read the rest on TeleRead.

Cached version.

See also:

JAMES PATTERSON WILL TAKE YOUR $90 TO TEACH YOU HOW TO WRITE — ER, I MEAN FIND A GHOSTWRITER.

And

WHY LITERATURE IS NO LONGER ART.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.