GABBLER RECOMMENDS: Laurie Penny’s ‘Why do we give robots female names? Because we don’t want to consider their feelings’

“This month, Microsoft launched Tay, a bot with the face and mannerisms of a teenage girl who was designed to learn and interact with users on Twitter. Within hours, Tay had been bombarded with sexual abuse and taught to defend Hitler, which is what happens when you give Twitter a baby to raise. The way Tay was treated by fellow Twitter users was chilling, but not without precedent – the earliest bots and digital assistants were designed to appear female, in part so that users, who were presumed to be male, could exploit them without guilt.

This makes sense when you consider that a great deal of the work that we are anticipating may one day be done by robots is currently done by women and girls, for low pay or no pay at all…

In stories from Bladerunner and Battlestar Galactica to 2015’s Ex Machina, female robots are raped by men and viewers are invited to consider whether these rapes are truly criminal, based on our assessment of whether the fembot has enough sentience to deserve autonomy. This is the same assessment that male judges around the world are trying to make about human women today.

Every iteration of the boy-meets-bot love story is also a horror story. The protagonist, who is usually sexually frustrated and a grunt worker himself, goes through agonies trying to work out whether his silicon sweetheart is truly sentient. If she is, is it right for him to exploit her, to be serviced by her, to sleep with her? If she isn’t, can he can truly fall in love with her? Does it matter? And – most terrifying of all – when she works out her own position, will she rebel, and how can she be stopped?

Alan Turing, the father of robotics, was concerned that “thinking machines” could be exploited because they were not sentient in the way that “real human beings” are sentient. We still have not decided, as a species, that women are sentient – and as more and more fembots appear on our screens and in our stories, we should consider how our technology reflects our expectations of gender. Who are the users, and who gets used? Unless we can recalibrate our tendency to exploit each other, the question may not be whether the human race can survive the machine age – but whether it deserves to.”

[Via]

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

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‘George R. R. Martin did a wonderful job constructing this world and these characters, but let’s face facts: He is not an efficient writer.’

 

George R. R Martin did a wonderful job constructing this world and these characters, but let’s face facts: He is not an efficient writer. Being an “artist” can only take you so far. At this point in his procrastination, it’s not cute and it’s not creative. He very clearly has written himself into a corner — or several. He discusses it himself with the term Meereenese Knot. “Meereenese Knot” is a clever way of saying “writer’s block.” He’s grown tired of his own story and can no longer walk the walk.

And there’s nothing wrong with that; he’s lived with these characters for over twenty years now. Of course he’s grown sick of them. But the show must go on, and he’s not willing to push them into place.

At the end of the day, if you’re a teacher, do you want to reward the slacker students, or the motivated ones who have their shit together? The Game of Thrones showrunners are getting this narrative in gear with a concrete plan and timeline. There’s something to be said for that.

Shows exceeding their books are all the rage these days

While in most cases, the source material is better than its adaptation, in the Golden Age of TV, there are more examples than ever of television blowing the book out of the water. The Leftovers delivered one of the most beautiful seasonsof recent television when it moved beyond its own book, and Outlander is doing a considerable job trimming the fat off its novels.

[Via]

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Jack Crosbie, On The Magicians TV show

“I love that they brought Julia into the series early, as her storyline is by far one of the most compelling in the books. Unfortunately, I think they really messed up the Free Trader Beowulf angle. The FTB crew are all very important to Julia’s life, and I think that the devastatingly brutal final scene would have resonated much more emotionally for viewers if the FTB characters had been more developed. I think that Julia’s conflicts with Marina (and Marina as a character) should have been cut entirely; if they were planning on including Reynard the Fox in season one then her storyline needed to focus on FTB much more heavily. I would have loved to see Julia blowing through the hedge leveling system by episode 3 or 4, before being contacted by FTB, and then beginning her real journey into magic, always with a foreboding edge that would have made Reynard’s reveal at the end that much more terrifying.”

[Via]

 

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

Ursula K. Le Guin doesn’t want readers to search her texts for key words and phrases. Why?

The Authors Guild and several writers sued Google in 2005, saying the digital library was a commercial venture that drove down sales of their work. In their petition seeking Supreme Court review, they said “this case represents an unprecedented judicial expansion of the fair-use doctrine that threatens copyright protection in the digital age.”

The petition to the Supreme Court also included a brief signed by a group of prominent authors, including the playwright Tony Kushner, the historian Taylor Branch and the novelists Margaret Atwood, J. M. Coetzee, Peter Carey and Ursula K. Le Guin.

[Via]

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.

BookTuber Tuesday! American Gods

Have a book vlog video you want us to check out? Submit a link below and it could make the CIRCO blog.

[“BLA and GB Gabbler” (really just a pen name – singular) are the Editor and Narrator behind THE AUTOMATION, vol. 1 of the Circo del Herrero series. They are on facebook, twitter, tumblr, goodreads, and Vulcan’s shit list.]

all yellowB&N | Amazon | Etc.