GABBLER RECOMMENDS: ‘Donna Haraway: Story Telling For Earthly Survival’

 

Armen Avanessian, Peter Frase, Daniel Rourke, Ytasha Womack, Laurie Penny and, Fabrizio Terranova’s documentary on Donna Haraway frame and reframe our thinking about our possible future by telling different stories. In the present light of fake news and alternative facts, Haraway urges: “Thinking is what we are about, and is a materialistic practice with other thinkers and some of the best thinking is done as story telling.”

Writers and critics of science fiction and fantasy have used the term ‘speculative fiction’, referring to stories that about imaginary futures, since the late 19th century. Its emphasis is less on the ‘science’ in fiction and more on the social changes that result from the advances in science and technology, extrapolated into the future. Speculative fiction is a reflection of the now. It breaks open ideas we have about our current world and how we want it to be.

Fabrizio Terranova portraits the scholar Donna Haraway in the documentary: Donna Haraway, Story Telling For Earthly Survival. In it, Haraway says that the story of the planet is at stake, there is work to be done to bring attention to positive proposals of how things could be different. We need to “make the weak stories stronger and the strong stories weaker,” she says. She is infectiously positive, both in her interview as well as her nuanced writings about possible futures.

[Via]

 

Contextualizing our cover:

Happy book birthday to THE AUTOMATION – plus giveaways!

View this post on Instagram

#BookBirthday #TheAutomation #CakeOrDeath

A post shared by G. B. Gabbler (@g.b.gabbler) on

 

 

Get them for free here and here.

GABBLER RECOMMENDS: Years and Years TV show

 

“The juxtaposition of the epic and mundane is the point. This is a broad-strokes diagnosis of a species in existential crisis. It’s meant as a warning about what’s happening in the present moment. And it is seemingly unconcerned about timelessness, because at the rate we’re going, we won’t be able to look back on anything, since we’ll be too busy scrounging for survival in the wasteland. That every anguished or panicked moment seems to vanish mere instants after registering on your brainpan is part of the design. It’s the miniseries as Snapchat message. The tl;dr version is that the world is stuffed, as the Brits would put it, if we don’t face facts and start cleaning up the mess we’ve made.”  [Via]

This is not like Black Mirror. Though you may think the show will villainize technology and futurisms as they appear, they are redeemed throughout and at the end. For example, in the first episode, you get a young girl hiding behind snapchat-like filter holograms, declaring that she is “trans” yet meaning she is transhuman. Her experience turns out to be somewhat of a warning and encouragement in the series. No spoilers, but her transition has just as many horrific stepping stones as well as joyful ones. In the last episode, the matriarch of the family goes on a rant involving the self-checkouts at the grocery stores and you start to roll your eyes, but then the monologue actually recognizes itself and makes a point. And like the futuristic techy bits, the characters themselves all have their moral flaws at times, only to be given redemption — or what one might call “multidimensionalness.”

It’s an interesting show that is sticking with me, especially with it’s delivery of such an expansive timeline. The use of loudness when the family experiences societal pressures or sped-up time was quite effective at producing anxiety in me. The parallels on issues migrants are experiencing now with ICE in the U.S. brought me to tears.

Perhaps a little melodramatic or glossed-over storyline-wise, it was still a wonderful “warning and encouragement” for how badly we can keep fucking up as well as step the fuck up.

See also:

What we talk about when we talk about post-apocalyptic stories. 

The Anti-Natalist and Anti-Colonial Messages in The Girl With All The Gifts (The Fanzine)

 

GABBLER RECOMMENDS: Los Espookys on HBO

“It feels reductive to call Los Espookys magical realism, both because it’s so much funnier than that term would normally imply, and because essentially every project that somehow involves Latin America gets dubbed “magical realism” at one point or another, whether the moniker fits or not.

But what’s so rewarding about this deeply weird little show — which HBO airs at 11 pm on Fridays, somehow the ideal timeslot for it — is how it all but forces you to pay closer attention to what could seem tossed-off or silly. You never know what might happen, a key tenet of magical realism.” [Via]